Distributed Aspect Ratio » 1.90:1

1.90:1 | 37 Titles

1.90:1 4.43/5 7 Votes

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Alien: Covenant (2017)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 122 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Katherine Waterston, Billy Crudup

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldaña

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Avengers: Infinity War (2018)

Motion Picture | 3D | 2K Project | Color | 1.90:1, 2.39:1 | 149 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Black Panther (2018)

Motion Picture | 3D | 3.4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver

Starring | Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Nomadland (2020)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 107 Minutes

Directed by | Chloé Zhao | Cinematography by | Joshua James Richards

Starring | Frances McDormand, David Strathairn, Linda May

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Cookie Sykes Goes (2019)

Web Series | 2D | 2K Project | Color | 1.90:1 |

| Cinematography by | Tom Sykes | Editing by | Tom Sykes

Starring | Cookie Sykes, Sophie

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Panasonic Lumix G Vario 14-42mm f3.5 Lens

Late Afternoon (2017)

Short Film | 2D | Color | 1.90:1 | 9 Minutes

Directed by | Louise Bagnall | Editing by | Alan Slattery

Starring | Fionnula Flanagan, Niamh Moyles, Lucy O'Connell, Michael McGrath

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Guardians of the Galaxy Vol. 2 (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood

Starring | Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel

Cameras | Red Weapon Dragon Camera

Lenses | Panavision Primo 70 Lenses

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

Motion Picture | 3D | 4K Project | Black & White, Color | 1.90:1, 2.39:1 | 96 Minutes

Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt

Starring | Donnie Yen, Michelle Yeoh, Harry Shum Jr., Natasha Liu Bordizzo

Cameras | Red Epic Dragon Camera

Lenses | Leitz Summicron-C Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War (2016)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan

Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Tomorrowland (2015)

Motion Picture | 2D, 3D | Color | 1.85:1, 1.90:1, 2.20:1 | 130 Minutes

Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood

Starring | George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Canon USA Commercial: Rhythm of Life (2013)

Motion Picture | 2D | 4K Project | Color | 1.90:1 |

Directed by | Dean Hargrove | Cinematography by | Steven Poster | Editing by | Peter Harding, Scott Sheppard

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

La Pasión de Michelangelo (2013)

Motion Picture | 2D | Color | 1.90:1 | 99 Minutes

La Pasión de Michelangelo | ShotOnWhat?

Directed by | Esteban Larraín | Cinematography by | Tevo Díaz | Editing by | Felipe Guerrero, Soledad Salfate

Starring | Patricio Contreras, Sebastián Ayala, Roberto Farías, Aníbal Reyna

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