Distributed Aspect Ratio » 1.85:1

1.85:1 | 1571 Titles

1.85:1 3.23/5 13 Votes

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2 Days in New York (2012)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

2 Days in New York | ShotOnWhat?

Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck

Starring | Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau

Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Jennifer 8 (1992)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Bruce Robinson | Cinematography by | Conrad L. Hall | Editing by | Conrad Buff IV

Starring | Andy Garcia, Uma Thurman, Lance Henriksen, Graham Beckel

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Madea’s Witness Protection (2012)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Madea’s Witness Protection | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Tyler Perry, Eugene Levy, Denise Richards, Tom Arnold

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

À moi seule (2012)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

À moi seule | ShotOnWhat?

Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré

Starring | Agathe Bonitzer, Reda Kateb, Hélène Fillières, Noémie Lvovsky

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

A Murder of Crows (1998)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Rowdy Herrington | Cinematography by | Robert Primes | Editing by | Harry B. Miller III

Starring | Cuba Gooding Jr., Tom Berenger, Marianne Jean-Baptiste, Eric Stoltz

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Maadadayo (1993)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Akira Kurosawa | Cinematography by | Takao Saitô, Shôji Ueda | Editing by | Akira Kurosawa, Ishirô Honda

Starring | Tatsuo Matsumura, Hisashi Igawa, George Tokoro, Masayuki Yui

Cameras | ARRIFLEX 535 Camera

The Horse Whisperer (1998)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 169 Minutes

Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf

Starring | Robert Redford, Kristin Scott Thomas, Sam Neill, Dianne Wiest

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

ToyKhtoProyshovKrizVohon (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Mykhailo Illienko | Cinematography by | Oleksandr Kryshtalovych | Editing by | Viktor Malyarenko

Starring | Dmytro Linartovych, Vitaliy Linetskiy, Olga Grishina, Ivanna Illienko

Cameras | Red One Camera

The Adjustment Bureau (2011)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz

Starring | Matt Damon, Emily Blunt, Lisa Thoreson, Florence Kastriner

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Dorian Gray (2009)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Oliver Parker | Cinematography by | Roger Pratt | Editing by | Guy Bensley

Starring | Ben Barnes, Colin Firth, Rebecca Hall, John Hollingworth

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

Hollow Man (2000)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Ron Vignone

Starring | Kevin Bacon, Elisabeth Shue, Josh Brolin, Kim Dickens

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

I Am Number Four (2011)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

I Am Number Four | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page

Starring | Alex Pettyfer, Timothy Olyphant, Dianna Agron, Teresa Palmer

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Jane Eyre (2011)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver

Starring | Mia Wasikowska, Michael Fassbender, Jamie Bell, Su Elliot

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Beginners (2010)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Mike Mills | Cinematography by | Kasper Tuxen | Editing by | Olivier Bugge Coutté

Starring | Ewan McGregor, Christopher Plummer, Mélanie Laurent, Goran Visnjic

Cameras | Red One Camera

L’enfant d’en haut (2012)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Léa Seydoux, Kacey Mottet Klein, Martin Compston, Gillian Anderson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

New Year’s Eve (2011)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

New Year’s Eve | ShotOnWhat?

Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick

Starring | Sarah Jessica Parker, Jessica Biel, Ashton Kutcher, Michelle Pfeiffer

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Blindness (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Blindness | ShotOnWhat?

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Julianne Moore, Mark Ruffalo, Gael García Bernal, Yûsuke Iseya

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

War of the Worlds (2005)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Dakota Fanning, Tim Robbins, Miranda Otto

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

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