HDCAM | 75 Titles
Third Man Out (2005)
Directed by | Ron Oliver | Cinematography by | C. Kim Miles | Editing by | Tony Dean Smith
Cameras | Sony HDW-F900 Camera
King Size (2007)
Directed by | Patrick Maurin | Cinematography by | Beatrice Mizrahi | Editing by | Pascal Latil
Cameras | Sony HDW-F900 Camera
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Click (2006)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
Bir Zamanlar Anadolu’da (2011)
Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl
Cameras | Sony CineAlta F35 Camera
Ali (2001)
Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera
Uncertainty (2008)
Directed by | Scott McGehee, David Siegel | Cinematography by | Rain Li | Editing by | Paul Zucker
Cameras | ARRIFLEX D-20 Camera
Me and You and Everyone We Know (2005)
Directed by | Miranda July | Cinematography by | Chuy Chávez | Editing by | Andrew Dickler, Charles Ireland
Cameras | Sony HDW-F900 Camera
Machete (2010)
Directed by | Ethan Maniquis, Robert Rodriguez | Cinematography by | Jimmy Lindsey | Editing by | Rebecca Rodriguez, Robert Rodriguez
Cameras | Panavision Genesis Camera
127 Hours (2010)
Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Swerve (2011)
Directed by | Craig Lahiff | Cinematography by | David Foreman | Editing by | Sean Lahiff
Cameras | Sony CineAlta F35 Camera
2 Days in Paris (2007)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Julie Delpy
Cameras | Sony HDW-750 Camera
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Rock of Ages (2012)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Emma E. Hickox
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
End of Watch (2012)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
The Other Guys (2010)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Wrath of the Titans (2012)
