HDCAM | 75 Titles
Why Can’t We Be a Family Again? (2002)
Directed by | Murray Nossel, Roger Weisberg | Cinematography by | Ed Marritz | Editing by | Lisa Shreve
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses
Annie (2014)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony PMW-F55 Camera
Before Midnight (2013)
Directed by | Richard Linklater | Cinematography by | Christos Voudouris | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
Les chevaliers du ciel (2005)
Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange
Lenses | Angenieux Optimo Zoom Lenses
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
The Chicago Code (2011)
| Cinematography by | Rohn Schmidt, M. David Mullen | Editing by | Jordan Goldman, David Kaldor, Rick Tuber, Dody Dorn, Dorian Harris
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
The Invisible War (2012)
Directed by | Kirby Dick | Cinematography by | Kirsten Johnson, Thaddeus Wadleigh | Editing by | Douglas Blush, Derek Boonstra
Il Futuro (2013)
Directed by | Alicia Scherson | Cinematography by | Ricardo DeAngelis | Editing by | Soledad Salfate, Ana Álvarez Ossorio
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Dr. Horrible’s Sing-Along Blog (2008)
Mike & Molly (2010)
| Cinematography by | Gary Baum, Gary Palmer | Editing by | Stephen Prime
Cameras | Sony CineAlta F23 Camera, Sony HDW-F900 Camera
Demekingu (2009)
The Secret of the Grain (2007)
Directed by | Abdellatif Kechiche | Cinematography by | Lubomir Bakchev | Editing by | Ghalia Lacroix, Camille Toubkis
Cameras | Sony HDW-F900 Camera
Mang lung (2005)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Wai Chiu Chung
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Sharkwater (2006)
Directed by | Rob Stewart | Cinematography by | Rob Stewart | Editing by | Michael Clark, Rik Morden, Rob Stewart, Jeremy Stuart
Four Lions (2010)
Directed by | Christopher Morris | Cinematography by | Lol Crawley | Editing by | Billy Sneddon
Cameras | Sony HDW-F900 Camera
Safe Harbour (2007)
Directed by | Bill Corcoran | Cinematography by | Curtis Petersen | Editing by | Evan Talnik
Cameras | Sony HDW-F900 Camera
