4:2:2 Chroma Subsampling | 64 Titles
Chasing Ice (2012)
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Hybrids (2015)
Directed by | Tony Randel | Cinematography by | David M. Rakoczy | Editing by | Tony Randel
Cameras | Sony Cameras, Sony PMW-F3 Camera
Stranger in the House (2015)
Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase
Cameras | ARRI ALEXA Series Cameras
Lenses | Panavision PVintage Prime Lenses
Blockbuster: Das Leben ist ein Film (2015)
Directed by | Vlado Priborsky | Cinematography by | Costa Konstantinou, Edgar Pfandler, Daniel Steiner | Editing by | Markus Hautz
Cameras | Sony NEX-FS100 Camera, Sony NEX-FS700 Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon FD 100 mm f2.8 SSC Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
A Guerra da Beatriz (2013)
Directed by | Luigi Acquisto, Bety Reis | Cinematography by | Valeriu Campan | Editing by | Nick Calpakdjian
Cameras | Sony Cameras, Sony PMW-F3 Camera
Love & Hip Hop: Atlanta (2012)
| Cinematography by | Joe Stallworth, Bianca Butti, Graham Willoughby | Editing by | Mark Augustine, Anthony Rosato, Allison Anastasio, Sylvia Waliga, Amir Adelar Minder, Erik Haslett, Tyler Fausnaught, Courtney Sommers, Scott Martin, Korey Caldwell, Grisel Grullon, Avery Harvin, Michael Niemcewicz, Brendan Sherman, Joe DeShano, Wesley Swinnen, Hudie Ayalon, Mary DeChambres, David Kuriyama, Jeremy Presner, Ben Slatkin, Sosse Misserlian, Q. DeChambres, Jeff Thurlow, Mike Verna, Brian Chamberlain, Tony Gargano, Eric Moorman
Cameras | Canon Cameras
Lenses | Canon Lenses
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
Route 30 (2007)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Panasonic AG-HVX200 Camera
A Picture of You (2013)
Directed by | J.P. Chan | Cinematography by | Andrew Reed | Editing by | Kevin Barker
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss Lenses
Elf-Man (2012)
Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove
Cameras | Sony Cameras
Lenses | Red Digital Cinema Lenses
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Tell (2012)
Directed by | Ryan Connolly | Cinematography by | Ryan Connolly | Editing by | Ryan Connolly
Cameras | Canon XL-H1 Camera
Lenses | Canon Lenses
Beyond Belief (2012)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | William J. Stribling
Cameras | Sony Cameras, Sony PMW-F3 Camera
Dean Slater: Resident Advisor (2013)
Directed by | Colin Sander | Cinematography by | Boa Simon | Editing by | R.J. Daniel Hanna
Cameras | Canon EOS-C300 Camera
Lenses | Canon Lenses, Zeiss Compact Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
4 Points (2012)
| Cinematography by | Robert Christopher Webb, Jesse Bactat | Editing by | Joe Rubalcaba
Cameras | Canon Cameras, Canon EOS-7D Camera, Canon XF305 Camera, Sony Cameras, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Home (2009)
Directed by | Yann Arthus-Bertrand | Cinematography by | Michel Benjamin, Dominique Gentil | Editing by | Yen Le Van
Cameras | Cineflex V14HD Camera
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
