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Red Digital Cinema Cameras | 534 Titles

Red Digital Cinema Cameras 4.67/5 6 Votes

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This Is the End (2013)

Motion Picture | 2D | Color | 107 Minutes

This Is the End | ShotOnWhat?

Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker

Starring | James Franco, Jonah Hill, Seth Rogen, Jay Baruchel

Cameras | Panavision Cameras, Red Epic Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Odd Thomas (2013)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Odd Thomas | ShotOnWhat?

Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | David Checel

Starring | Anton Yelchin, Ashley Sommers, Leonor Varela, Matthew Page

Cameras | Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

Phantom (2013)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Phantom | ShotOnWhat?

Directed by | Todd Robinson | Cinematography by | Byron Werner | Editing by | Terel Gibson

Starring | Ed Harris, Julian Adams, David Duchovny, William Fichtner

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses

Side Effects (2013)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Side Effects | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | Rooney Mara, Channing Tatum, Jude Law, Catherine Zeta-Jones

Cameras | Red Epic Camera

Jack the Giant Slayer (2013)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Jack the Giant Slayer | ShotOnWhat?

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman

Starring | Nicholas Hoult, Stanley Tucci, Ewan McGregor, Bill Nighy

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Where the Trail Ends (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 81 Minutes

Where the Trail Ends | ShotOnWhat?

Directed by | Jeremy Grant | Cinematography by | Brad McGregor | Editing by | Andrew Boucher, Jeremy Grant

Starring | Darren Berrecloth, James Doerfling, Andreu Lacondeguy, Kurt Sorge

Cameras | Red Epic Camera, Red One Camera, Sony PMW-F3 Camera

The Lying Game (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Dennis Hall, Ian Ellis, Crescenzo G.P. Notarile | Editing by | Janet Weinberg, Tim Tommasino, J. Benjamin Chulay, Henk Van Eeghen

Starring | Alexandra Chando, Andy Buckley, Allie Gonino, Alice Greczyn

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Reach Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen

Starring | Lauren Cohan, Kyra Sedgwick, Thomas Jane, Kevin Connolly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses

Stand Up Guys (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Stand Up Guys | ShotOnWhat?

Directed by | Fisher Stevens | Cinematography by | Michael Grady | Editing by | Mark Livolsi

Starring | Al Pacino, Christopher Walken, Alan Arkin, Julianna Margulies

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Reveròn (2011)

Motion Picture | 2D | Color | 112 Minutes

Reveròn | ShotOnWhat?

Directed by | Diego Rísquez | Cinematography by | Cezary Jaworski | Editing by | Leonardo Henríquez

Starring | Luigi Sciamanna, Sheila Monterola, Luis Fernandez, Antonio Delli

Cameras | Red One Camera

Snitch (2013)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Jonathan Chibnall

Starring | Dwayne Johnson, Susan Sarandon, Jon Bernthal, Rafi Gavron

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

1000 to 1: The Cory Weissman Story (2014)

Direct to Video | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Michael Levine | Cinematography by | James Mathers | Editing by | Colleen Halsey, Richard Halsey

Starring | David Henrie, Luke Kleintank, Beau Bridges, Jean Louisa Kelly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Lenses

Da Shang Hai (2012)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Jing Wong | Cinematography by | Jason Kwan, Andrew Lau Wai-Keung, Yong Yang, Zhen Yang | Editing by | Wai Chiu Chung

Starring | Yun-Fat Chow, Xiaoming Huang, Sammo Kam-Bo Hung, Francis Ng

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Oz the Great and Powerful (2013)

Motion Picture | 3D | Color | 1.33:1 (4x3), 2.39:1 | 130 Minutes

Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski

Starring | James Franco, Michelle Williams, Rachel Weisz, Mila Kunis

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Lost Place (2013)

Motion Picture | 3D | Color, Color | 2.39:1 | 101 Minutes

Lost Place | ShotOnWhat?

Directed by | Thorsten Klein | Cinematography by | Xiaosu Han, Andreas Thalhammer | Editing by | Vincent Assmann

Starring | François Goeske, Jytte-Merle Böhrnsen, Pit Bukowski, Josefine Preuß

Cameras | Red Epic Camera

The Lone Ranger (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood

Starring | Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson

Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Furious 6 (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Starring | Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor: The Dark World (2013)

Motion Picture | 3D | Color | 2.35:1 | 112 Minutes

Thor: The Dark World | ShotOnWhat?

Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Dan Lebental, Wyatt Smith

Starring | Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses | Panavision G Series Anamorphic Lenses

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