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ARRIFLEX 35 BL4 Camera | 35 Titles

ARRIFLEX 35 BL4 Camera 3.00/5 23 Votes

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3 Needles (2005)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks

Starring | Chloë Sevigny, Lucy Liu, Shawn Ashmore, Mabel Adams

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Standard Speed Prime Lenses

The Hudsucker Proxy (1994)

Motion Picture | 2D | Black & White, Color | 1.37:1, 1.85:1 | 111 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble

Starring | Tim Robbins, Paul Newman, Jennifer Jason Leigh, Charles Durning

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

301, 302 (1995)

Motion Picture | 2D | Film Project | Color | 1.44:1 | 100 Minutes

Directed by | Cheol-su Park | Cinematography by | Eun-gil Lee | Editing by | Gok-ji Park

Starring | Eun-jin Pang, Sin-hye Hwang, Chu-Ryun Kim

Cameras | ARRIFLEX 35 BL4 Camera

No Escape (1994)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Ray Liotta, Lance Henriksen, Stuart Wilson, Kevin Dillon

Cameras | ARRIFLEX 35 BL4 Camera

Clubbed to Death (Lola) (1996)

Motion Picture | 2D | Color | 1.37:1 | 90 Minutes

Directed by | Yolande Zauberman | Cinematography by | Denis Lenoir | Editing by | François Gédigier

Starring | Élodie Bouchez, Roschdy Zem, Béatrice Dalle, Richard Courcet

Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses | Zeiss Lenses

Ils se marièrent et eurent beaucoup d’enfants (2004)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé

Starring | Johnny Depp, Charlotte Gainsbourg, Sébastien Vidal, Yvan Attal

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

Extreme Justice (1993)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron

Starring | Lou Diamond Phillips, Scott Glenn, Chelsea Field, Yaphet Kotto

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | ARRI / Zeiss Lenses, Cooke Lenses, Zeiss Lenses

All the Real Girls (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales

Starring | Zooey Deschanel, Paul Schneider, Patricia Clarkson, Shea Whigham

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

In the Mood for Love (2000)

Motion Picture | 2D | Color | 1.66:1 | 98 Minutes

In the Mood for Love | ShotOnWhat?

Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle, Pung-Leung Kwan, Ping Bin Lee | Editing by | William Chang

Starring | Tony Chiu-Wai Leung, Maggie Cheung, Ping Lam Siu, Tung Cho 'Joe' Cheung

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera, NAC Image Technology Cameras

Lenses | Zeiss Lenses

Jing wu ying xiong (1994)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Gordon Chan | Cinematography by | Derek Wan | Editing by | Ki-Hop Chan, Chak-Man Cheng

Starring | Jet Li, Shinobu Nakayama, Siu-Ho Chin, Billy Chow

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

The Shawshank Redemption (1994)

Motion Picture | 2D | Color | 1.85:1 | 142 Minutes

Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce

Starring | Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler

Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses | ARRI / Zeiss Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

Hollow Man (2000)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Ron Vignone

Starring | Kevin Bacon, Elisabeth Shue, Josh Brolin, Kim Dickens

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Trainspotting (1996)

Motion Picture | 2D | Film Project | Color | 93 Minutes

Directed by | Danny Boyle | Cinematography by | Brian Tufano | Editing by | Masahiro Hirakubo

Starring | Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

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