ARRICAM Studio (ST) Camera | 271 Titles
Bel Ami (2012)
Directed by | Declan Donnellan, Nick Ormerod | Cinematography by | Stefano Falivene | Editing by | Gavin Buckley, Masahiro Hirakubo
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
Couples Retreat (2009)
Directed by | Peter Billingsley | Cinematography by | Eric Alan Edwards | Editing by | Dan Lebental
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Alatriste (2006)
Directed by | Agustín Díaz Yanes | Cinematography by | Paco Femenia | Editing by | José Salcedo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Charlie St. Cloud (2010)
Directed by | Burr Steers | Cinematography by | Enrique Chediak | Editing by | Padraic McKinley
Lenses | Hawk V-Series Lenses
Frost/Nixon (2008)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
We Own the Night (2007)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Why Did I Get Married Too? (2010)
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
The Devil Wears Prada (2006)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Studio (ST) Camera
American Gangster (2007)
Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Slumdog Millionaire (2008) 
Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Footloose (2011)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
I Am Slave (2010)
Mon pire cauchemar (2011)
Directed by | Anne Fontaine | Cinematography by | Jean-Marc Fabre | Editing by | Luc Barnier, Nelly Ollivault
Another Year (2010)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Lenses | Cooke S4 Lenses
Hall Pass (2011)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Sam Seig
Mother (2009)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Sae-kyoung Moon
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
One for the Money (2012)
Directed by | Julie Anne Robinson | Cinematography by | Jim Whitaker | Editing by | Lisa Zeno Churgin
