ARRI ALEXA Series Cameras | 910 Titles
Incredible Violence (2018)
Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens
If Beale Street Could Talk (2018)
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime DNA Lenses
Mary Poppins Returns (2018)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Second Act (2018)
Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens
Red Sparrow (2018)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Game Night (2018)
Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin
Lenses | Cooke S4/i Lenses
Upgrade (2018)
Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Blindspotting (2018)
Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming
Andhadhun (2018)
Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti
Cameras | ARRI ALEXA Camera
Green Book (2018)
Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Capernaum (2018)
Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette
Cameras | ARRI ALEXA Camera
Lenses | Hawk C-Series Lenses
Creed II (2018)
Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Panavision Lenses, Zeiss Master Prime Lenses
Life Itself (2018)
Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Cooke Panchro/i Classic Lenses
Bohemian Rhapsody (2018)
Christopher Robin (2018)
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
A Star Is Born (2018)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Destroyer (2018)
Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker
Cameras | ARRI ALEXA Mini Camera
Lenses | Panavision Lenses
Assassination Nation (2018)
Directed by | Sam Levinson | Cinematography by | Marcell Rév | Editing by | Ron Patane
Cameras | ARRI ALEXA Mini Camera
Liberty (2018)
| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen
Cameras | ARRI ALEXA Mini Camera
Boy Erased (2018)
Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses