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ARRI ALEXA Series Cameras | 910 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

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Christopher Robin (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse

Starring | Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Shanghai (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Dibakar Banerjee | Cinematography by | Nikos Andritsakis | Editing by | Namrata Rao

Starring | Emraan Hashmi, Abhay Deol, Prasenjit Chatterjee, Kalki Koechlin

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

A Girl Is a Gun (2017)

Television Series, Web Series | 2D | 4K Project | Color | 2.35:1 |

| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi

Starring | Hiram A. Murray, Jon Komp Shin, Maria Volk, Roy Werner

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic 30-72 mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Bohemian Rhapsody (2018)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 2.39:1 | 134 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

The Boonies (2017)

Television Series, Web Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Tobias Deml | Editing by | Mark Marraccini, Monet Malek

Starring | Emilio Garcia-Sanchez, Zoe Travis, Justin Cone, Logan Garretson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens

The Ballad of Buster Scruggs (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 133 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Capernaum (2018)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette

Starring | Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawsar Al Haddad

Cameras | ARRI ALEXA Camera

Lenses | Hawk C-Series Lenses

Live by Night (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 129 Minutes

Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg

Starring | Ben Affleck, Elle Fanning, Brendan Gleeson, Chris Messina

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Deadwood: The Movie (2019)

Motion Picture | 2D | Color | 2.0:1 | 110 Minutes

Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson

Starring | Timothy Olyphant, Ian McShane, Molly Parker, Paula Malcomson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

First Reformed (2017)

Motion Picture | 2D | 2K Project | Color | 1.37:1 | 113 Minutes

Directed by | Paul Schrader | Cinematography by | Alexander Dynan | Editing by | Benjamin Rodriguez Jr.

Starring | Ethan Hawke, Amanda Seyfried, Cedric The Entertainer, Victoria Hill

Cameras | ARRI ALEXA SXT Series Cameras

Andhadhun (2018)

Movie | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti

Starring | Ayushmann Khurrana, Tabu, Radhika Apte, Anil Dhawan

Cameras | ARRI ALEXA Camera

Sofia (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard

Starring | Maha Alemi, Lubna Azabal, Sarah Perles, Faouzi Bensaïdi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses

Hotel Mumbai (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty

Starring | Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses

Mary Poppins Returns (2018)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith

Starring | Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

War for the Planet of the Apes (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leitz Summilux-C Series Lenses

Queen of the South (2016)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

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