ARRI ALEXA Camera | 385 Titles
Parrot (2012)
Directed by | Craig D. Foster | Cinematography by | Joel Froome | Editing by | Emma McKenna
Cameras | ARRI ALEXA Camera
The Three Musketeers (2011)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Alexander Berner, Claus Wehlisch
L’amour dure trois ans (2011)
Directed by | Frédéric Beigbeder | Cinematography by | Yves Cape | Editing by | Stan Collet, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Lenses
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Farewell, My Queen (2012)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Luc Barnier, Nelly Ollivault
Cameras | ARRI ALEXA Camera
Rampart (2011)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
Pitch Perfect (2012)
Directed by | Jason Moore | Cinematography by | Julio Macat | Editing by | Lisa Zeno Churgin
Cameras | ARRI ALEXA Camera
Robot & Frank (2012)
Directed by | Jake Schreier | Cinematography by | Matthew J. Lloyd | Editing by | Jacob Craycroft
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Burn Notice: The Fall of Sam Axe (2011)
Directed by | Jeffrey Donovan | Cinematography by | Jaime Reynoso | Editing by | Steven Lang
Cameras | ARRI ALEXA Camera
Bienvenue à bord (2011)
Directed by | Eric Lavaine | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
The Hangover Part II (2011)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale
Good Deeds (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Tepenin Ardi (2012)
Directed by | Emin Alper | Cinematography by | George Chiper | Editing by | Özcan Vardar
Cameras | ARRI ALEXA Camera
Bernie (2011)
Directed by | Richard Linklater | Cinematography by | Dick Pope | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Page Eight (2011)
Directed by | David Hare | Cinematography by | Martin Ruhe | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses
Lawless (2012)
Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Downton Abbey (2010)
| Cinematography by | Nigel Willoughby, Graham Frake, Gavin Struthers, David Katznelson, David Marsh, Adam Gillham, David Raedeker, Michael McDonough | Editing by | Al Morrow, John Wilson, Paul Garrick, Justin Krish, Alex Mackie, Nick McPhee, Mike Jones, Steve Singleton, Alex Kalmakrian
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Snabba cash II (2012)
Directed by | Babak Najafi | Cinematography by | Aril Wretblad | Editing by | Theis Schmidt
Cameras | ARRI ALEXA Camera
