ARRI ALEXA Camera | 385 Titles
Les infidèles (2012)
Directed by | Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche | Cinematography by | Guillaume Schiffman | Editing by | Anny Danché, Julien Leloup
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
[REC] 3: Genesis (2012)
Directed by | Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses
Quiz (2012)
Directed by | Dick Maas | Cinematography by | Piotr Kukla | Editing by | Bert Rijkelijkhuizen
Cameras | ARRI ALEXA Camera
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
Hansel & Gretel: Witch Hunters (2013)
Directed by | Tommy Wirkola | Cinematography by | Michael Bonvillain | Editing by | Jim Page
Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses
The Inbetweeners Movie (2011)
Directed by | Ben Palmer | Cinematography by | Ben Wheeler | Editing by | Charlie Fawcett, William Webb
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Türkisch für Anfänger (2012)
Directed by | Bora Dagtekin | Cinematography by | Torsten Breuer, Benjamin Dernbecher | Editing by | Charles Ladmiral
Cameras | ARRI ALEXA Camera
Tower Heist (2011)
2 Days in New York (2012)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
À moi seule (2012)
Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Bored to Death (2009)
| Cinematography by | Vanja Cernjul | Editing by | Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
The Dictator (2012)
Directed by | Larry Charles | Cinematography by | Lawrence Sher | Editing by | Greg Hayden, Eric Kissack
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark III Camera
Lenses | Panavision Primo Anamorphic Lenses
Lie to Me (2009)
| Cinematography by | Sidney Sidell, Joseph E. Gallagher, Alan Caso, David Geddes, Florian Ballhaus | Editing by | Devon Greene, David Post, Rick Tuber, David C. Cook, David Siegel, Padraic McKinley, Thomas R. Moore, Gib Jaffe, Monty DeGraff, Marta Evry, Thom Noble, Suzy Elmiger
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
L’enfant d’en haut (2012)
Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | ARRI ALEXA Camera
New Year’s Eve (2011)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Struck by Lightning (2012)
Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan
Cameras | ARRI ALEXA Camera
Five (2011)
Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris | Cinematography by | Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker | Editing by | Zene Baker, Adrienne Gits, Lynzee Klingman, Byron Smith, Tom Wilson
Cameras | ARRI ALEXA Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
3 Geezers! (2013)
Directed by | Michelle Schumacher | Cinematography by | Pete Villani | Editing by | Michelle Schumacher
Cameras | ARRI ALEXA Camera, ARRI Cameras