Vertical Camera Film Orientation | 1024 Titles
Brainstorm (1983)
Directed by | Douglas Trumbull | Cinematography by | Richard Yuricich | Editing by | Freeman A. Davies, Edward Warschilka
High Risk (1981)
Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Simple Plan (1998)
Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn
Cameras | Panavision Panaflex Platinum Camera
Bad Timing (1980)
Directed by | Nicolas Roeg | Cinematography by | Anthony B. Richmond | Editing by | Tony Lawson
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Dune (1984)
Hao men ye yan (1991)
Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu
Cameras | ARRIFLEX 35 BL4s Camera
The English Patient (1996)
Nadine (1987)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
The Man Who Wasn’t There (1983)
Directed by | Bruce Malmuth | Cinematography by | Frederick Moore | Editing by | Harry Keller
Lenses | Panavision Lenses
Atlantic City (1980)
Directed by | Louis Malle | Cinematography by | Richard Ciupka | Editing by | Suzanne Baron
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Excalibur (1981)
Directed by | John Boorman | Cinematography by | Alex Thomson | Editing by | John Merritt, Donn Cambern
Cameras | ARRI Cameras, ARRIFLEX 35 BL3 Camera
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Gone with the Wind (1939)
Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes
Cameras | Technicolor 3-Strip Camera
Lenses | Bausch & Lomb Lenses
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
The Four Feathers (2002)
Virtuosity (1995)
Directed by | Brett Leonard | Cinematography by | Gale Tattersall | Editing by | Rob Kobrin, B.J. Sears
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
South Pacific (1958)
Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Cameras | Todd-AO 65mm Camera