Vertical Camera Film Orientation | 1024 Titles
The Grifters (1990)
Directed by | Stephen Frears | Cinematography by | Oliver Stapleton | Editing by | Mick Audsley
Cameras | Panavision Cameras
Best in Show (2000)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton Cameras
Children of Nagasaki (1983)
Directed by | Keisuke Kinoshita | Cinematography by | Kôzô Okazaki
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pan Tadeusz (1999)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Wanda Zeman
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
High Road to China (1983)
Directed by | Brian G. Hutton | Cinematography by | Ronnie Taylor | Editing by | John Jympson
Cameras | Technovision Cameras
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Hangin’ Out (1983)
Directed by | Wolfgang Büld | Cinematography by | Heinz Hölscher | Editing by | Peter Fratzscher
Cameras | ARRIFLEX Camera
Hidalgo (2004)
On the Road (2012)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | François Gédigier
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Altered States (1980)
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Blow (2001)
Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Lost Highway (1997)
Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney
Lenses | Panavision Primo Anamorphic Lenses
Rush Hour 2 (2001)
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera
50/50 (2011)
Basic Instinct (1992)
Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
A Little Princess (1995)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Panaflex Platinum Camera
Rockaway (2007)
Directed by | Jeff Crook, Josh Crook | Cinematography by | John Ashmore | Editing by | Michael D. Thomson
Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera
Heathers (1988)
The Man Who Loved Women (1977)
Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
