Super 35 Camera Aperture | 867 Titles
Bullet to the Head (2012)
Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Fool’s Gold (2008)
Directed by | Andy Tennant | Cinematography by | Don Burgess | Editing by | Troy Takaki, Tracey Wadmore-Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Race 2 (2013)
Directed by | Abbas Alibhai Burmawalla, Mastan Alibhai Burmawalla | Cinematography by | Ravi Yadav | Editing by | Hussain A. Burmawala
Monsieur Lazhar (2011)
Directed by | Philippe Falardeau | Cinematography by | Ronald Plante | Editing by | Stéphane Lafleur
Ek Tha Tiger (2012)
Dabangg 2 (2012)
Directed by | Arbaaz Khan | Cinematography by | Aseem Mishra | Editing by | Hemal Kothari
Cameras | ARRICAM Lite (LT) Camera
Barfi! (2012)
Directed by | Anurag Basu | Cinematography by | Ravi Varman | Editing by | Akiv Ali
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Talaash (2012)
Directed by | Reema Kagti | Cinematography by | K.U. Mohanan | Editing by | Anand Subaya
Cameras | ARRICAM Lite (LT) Camera
Jab Tak Hai Jaan (2012)
Directed by | Yash Chopra | Cinematography by | Anil Mehta | Editing by | Namrata Rao
Cameras | ARRIFLEX 435 Xtreme Camera
Holy Motors (2012)
Directed by | Leos Carax | Cinematography by | Yves Cape, Caroline Champetier | Editing by | Nelly Quettier
Cameras | Red Epic Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses
Won’t Back Down (2012)
Directed by | Daniel Barnz | Cinematography by | Roman Osin | Editing by | Kristina Boden
Cameras | ARRICAM Lite (LT) Camera
For Greater Glory: The True Story of Cristiada (2012)
Directed by | Dean Wright | Cinematography by | Eduardo Martínez Solares | Editing by | Richard Francis-Bruce, Mike Jackson
Cameras | ARRIFLEX 435 Camera
Lenses | Zeiss Lenses
Firefly (2002)
| Cinematography by | David Boyd | Editing by | Sunny Hodge, Lisa Lassek, John Peter Bernardo
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Super Speed Lenses
Arbitrage (2012)
Directed by | Nicholas Jarecki | Cinematography by | Yorick Le Saux | Editing by | Douglas Crise
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Playing for Keeps (2012)
Directed by | Gabriele Muccino | Cinematography by | Peter Menzies Jr. | Editing by | Padraic McKinley
Lenses | Panavision Primo Anamorphic Lenses
Toto (2011)
Directed by | Andoni Elias Nava | Cinematography by | Alex Gallitano | Editing by | Andoni Elias Nava
Cameras | ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Seven Psychopaths (2012)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Lisa Gunning
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Beyond Belief (2012)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | William J. Stribling
Cameras | Sony Cameras, Sony PMW-F3 Camera
Evil Dead (2013)
Directed by | Fede Alvarez | Cinematography by | Aaron Morton | Editing by | Bryan Shaw
Cameras | Sony CineAlta F65 Camera
After Earth (2013)
Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum
Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera




















































