Super 35 Camera Aperture | 867 Titles
Club 60 (2013)
Directed by | Sanjay Tripathy | Cinematography by | Shyamanand Jha | Editing by | Aditya Joshi, Arunabha Mukherjee
Cameras | Panavision Panaflex Platinum Camera
Push (2009)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera
Texas Chainsaw 3D (2013)
Directed by | John Luessenhop | Cinematography by | Anastas N. Michos | Editing by | Randy Bricker
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
The Hour (2011)
| Cinematography by | Chris Seager, David Luther | Editing by | Gareth C. Scales, Xavier Russell, Nick Arthurs, Paul Machliss
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Prom Night (2008)
College Road Trip (2008)
Boardwalk Empire (2010)
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Switch (2010)
Directed by | Josh Gordon, Will Speck | Cinematography by | Jess Hall | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
She’s Out of My League (2010)
Burlesque (2010)
Directed by | Steve Antin | Cinematography by | Bojan Bazelli | Editing by | Virginia Katz
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Letters to Juliet (2010)
Pride & Prejudice (2005)
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
Twilight (2008)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Bounty Hunter (2010)
Dinner for Schmucks (2010)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Dear John (2010)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Kristina Boden
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Lincoln (2012)
Desperate Housewives (2004)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Taken 2 (2012)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras
The Twilight Saga: Breaking Dawn – Part 2 (2012)
Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater
