Super 35 Camera Aperture | 867 Titles
Dr. Dolittle 2 (2001)
Directed by | Steve Carr | Cinematography by | Daryn Okada | Editing by | Craig Herring
Lenses | Panavision Primo Anamorphic Lenses
Get Rich or Die Tryin’ (2005)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Roger Barton, Conrad Buff IV
Cameras | Panavision Cameras
City by the Sea (2002)
Directed by | Michael Caton-Jones | Cinematography by | Karl Walter Lindenlaub | Editing by | Jim Clark
Cameras | Panavision Cameras
Dodgeball: A True Underdog Story (2004)
Directed by | Rawson Marshall Thurber | Cinematography by | Jerzy Zielinski | Editing by | Alan Baumgarten, Peter Teschner
Cameras | Panavision Cameras
HottieBoombaLottie (2008)
Directed by | Seth Packard | Cinematography by | Bianca Cline | Editing by | Seth Packard
Cameras | Panavision Cameras
The Safety of Objects (2001)
Directed by | Rose Troche | Cinematography by | Enrique Chediak | Editing by | Geraldine Peroni
Lenses | Panavision Primo Anamorphic Lenses
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Self Medicated (2005)
Directed by | Monty Lapica | Cinematography by | Denis Maloney | Editing by | Timothy Kendall
Cameras | Panavision Cameras
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
Standpoint (2009)
Directed by | Dom Ricco | Cinematography by | Andrew Strahorn | Editing by | Jessica Rae Ortega
Cameras | Moviecam Compact Camera
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
North Country (2005)
Directed by | Niki Caro | Cinematography by | Chris Menges | Editing by | David Coulson
Cameras | Panavision Panaflex Millennium XL Camera
The Mexican (2001)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Craig Wood
Cameras | Panavision Cameras
Fire in the Sky (1993)
Directed by | Robert Lieberman | Cinematography by | Bill Pope | Editing by | Steve Mirkovich
Cameras | Panavision Cameras
Miracle (2004)
Directed by | Gavin O'Connor | Cinematography by | Dan Stoloff | Editing by | John Gilroy, Daric Loo
Cameras | Panavision Cameras
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
Ferris Bueller’s Day Off (1986)
Directed by | John Hughes | Cinematography by | Tak Fujimoto | Editing by | Paul Hirsch
Cameras | Panavision Cameras
