Super 35 Camera Aperture | 867 Titles
The Burning Plain (2008)
Directed by | Guillermo Arriaga | Cinematography by | Robert Elswit | Editing by | Craig Wood
Cameras | Panavision Cameras
Bandslam (2009)
Directed by | Todd Graff | Cinematography by | Eric Steelberg | Editing by | John Gilbert
Cameras | Panavision Cameras
Blood and Chocolate (2007)
All the Boys Love Mandy Lane (2006)
Tristan + Isolde (2006)
The Words (2012)
Directed by | Brian Klugman, Lee Sternthal | Cinematography by | Antonio Calvache | Editing by | Leslie Jones
Cameras | Panavision Cameras
Himalaya (1999)
Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte
Transporter 3 (2008)
Directed by | Olivier Megaton | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Camille Delamarre, Carlo Rizzo
Lenses | Cooke S4 Lenses
25th Hour (2002)
Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown
Lenses | Zeiss Ultra Prime Lenses
Splice (2009)
Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Paraiso Travel (2008)
Directed by | Simon Brand | Cinematography by | Rafa Lluch | Editing by | Alberto de Toro
Cameras | ARRI Cameras
Evolution (2001)
Directed by | Ivan Reitman | Cinematography by | Michael Chapman | Editing by | Wendy Greene Bricmont, Sheldon Kahn
Cameras | Panavision Cameras
Rock Star (2001)
Directed by | Stephen Herek | Cinematography by | Ueli Steiger | Editing by | Trudy Ship
Cameras | Panavision Cameras
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Bait (2000)
Directed by | Antoine Fuqua | Cinematography by | Tobias A. Schliessler | Editing by | Alan Edward Bell
Cameras | Panavision Cameras
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Exam (2009)
Directed by | Stuart Hazeldine | Cinematography by | Tim Wooster | Editing by | Mark Talbot-Butler
Cameras | Panavision Cameras
