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Rogue One: A Star Wars Story (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen

Starring | Felicity Jones, Diego Luna, Alan Tudyk, Donnie Yen

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision APO Panatar Lenses

Trois souvenirs de ma jeunesse (2015)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Arnaud Desplechin | Cinematography by | Irina Lubtchansky | Editing by | Laurence Briaud

Starring | Quentin Dolmaire, Lou Roy-Lecollinet, Mathieu Amalric, Dinara Drukarova

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses

Krisha (2015)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 83 Minutes

Directed by | Trey Edward Shults | Cinematography by | Drew Daniels | Editing by | Trey Edward Shults

Starring | Krisha Fairchild, Alex Dobrenko, Robyn Fairchild, Chris Doubek

Cameras | Red Epic Camera, Red Scarlet Camera

The Program (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 99 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli

Starring | Ben Foster, Chris O'Dowd, Guillaume Canet, Jesse Plemons

Cameras | Red Epic Camera

The Bronze (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Bryan Buckley | Cinematography by | Scott Henriksen | Editing by | Jay Nelson

Starring | Melissa Rauch, Gary Cole, Haley Lu Richardson, Thomas Middleditch

Cameras | Red Epic Camera

The Wedding Ringer (2015)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong

Starring | Kevin Hart, Josh Gad, Kaley Cuoco, Affion Crockett

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Kilo Two Bravo (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin

Starring | David Elliot, Mark Stanley, Scott Kyle, Benjamin O'Mahony

Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera

Lenses | Angenieux Lenses, Red Pro Prime Lenses

Camino a La Paz (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce

Starring | Rodrigo De la Serna, Ernesto Suarez, Elisa Carricajo, Maria Canale

Cameras | Canon EOS-C500 Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens

Fathers and Daughters (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez

Starring | Russell Crowe, Amanda Seyfried, Aaron Paul, Diane Kruger

Cameras | Canon EOS-C500 Camera, Red Epic Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Captain America: Civil War (2016)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 147 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan

Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

10.000 Km (2014)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés

Starring | Natalia Tena, David Verdaguer, Sirius Flatz

Cameras | Red Epic Camera

Lenses | Zeiss Master Prime Lenses

La isla mínima (2014)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano

Starring | Javier Gutiérrez, Raúl Arévalo, María Varod, Perico Cervantes

Cameras | ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens

El hombre de las mil caras (2016)

Motion Picture | 2D | Color | 123 Minutes

Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano

Starring | Jose Coronado, Eduard Fernández, Miquel García Borda, Santiago Molero

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Canon CN-E 30-300 mm T2.95 Lens, Zeiss Master Prime Lenses

Tenemos que hablar (2016)

Motion Picture | 2D | Color | 91 Minutes

Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro

Starring | Belén Cuesta, Carla Diego, Verónica Forqué, Luis Jaspe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses

The Evil That Men Do (2015)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Ramon Térmens | Cinematography by | Sergi Bartrolí | Editing by | Anna Térmens

Starring | Daniel Faraldo, Andrew Tarbet, Sergio Peris-Mencheta, Priscilla Delgado

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Ultra Prime Lenses

Deadpool (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 108 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Primo Primes Spherical Lenses

How to Be Single (2016)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Tia Nolan

Starring | Dakota Johnson, Rebel Wilson, Leslie Mann, Alison Brie

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Snowden (2016)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy

Starring | Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses | Leitz Summicron-C Series Lenses

Vinyl (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Reed Morano, David Franco, Rodrigo Prieto | Editing by | Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz

Starring | Bobby Cannavale, Paul Ben-Victor, P.J. Byrne, Max Casella

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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