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The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

The Magicians (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush | Editing by | Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey

Starring | Stella Maeve, Hale Appleman, Arjun Gupta, Summer Bishil

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summicron-C Series Lenses, Panavision PVintage Prime Lenses

Incredible Violence (2018)

Motion Picture | 2D | Color | 92 Minutes

Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey

Starring | M.J. Kehler, Stephen Oates, Michael Worthman, Kimberley Drake

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

What if it Was Me? (2020)

Motion Picture | 2D | Color |

Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman

Starring | David Tomlinson, Jacelyn Holmes, Danilo Reyes, Tiffany Blom

Cameras | Red Scarlet Dragon Camera

Lenses | Canon L Series Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Beyond the Night (2018)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert

Starring | Tammy Blanchard, Zane Holtz, Azhy Robertson, Caitlin Mehner

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus Camera

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

Beauty and the Beast (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | David A. Makin, D. Gregor Hagey, Bruce Chun, David Greene, Michael Storey, Theo van de Sande, Manfred Guthe, David Herrington | Editing by | Aaron Rottinghaus, John Peter Bernardo, Jim Towne, Juan Carlos Garza, Sunny Hodge, Padraic McKinley, Monty DeGraff, Fred Peterson, Stan Salfas, Terrell Clegg, John Heath, Robert Ivison, James R. Symons, David Ekstrom, Michelle Choug

Starring | Kristin Kreuk, Jay Ryan, Nina Lisandrello, Austin Basis

Cameras | ARRI ALEXA Camera

Arrow (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett | Editing by | Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks

Starring | Stephen Amell, Katie Cassidy, David Ramsey, Susanna Thompson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HP Zoom Lenses

Downton Abbey (2019)

Movie | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Michael Engler | Cinematography by | Ben Smithard | Editing by | Mark Day

Starring | Michelle Dockery, Matthew Goode, Tuppence Middleton, Geraldine James

Cameras | Sony Cameras, Sony CineAlta VENICE Camera

Lenses | Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 mm f2.6 Zoom Lens

Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

Game of Thrones (2011)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 57 Minutes

| Cinematography by | Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson | Editing by | Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Starring | Emilia Clarke, Peter Dinklage, Kit Harington, Lena Headey

Cameras | ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

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