Digital Cinema | 1861 Titles
Greyhound (2020)
Directed by | Aaron Schneider | Cinematography by | Shelly Johnson | Editing by | Mark Czyzewski, Sidney Wolinsky
Cameras | Panavision Millennium DXL Camera
Lenses | Panavision Sphero 65 Series Lenses
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Law & Order: Special Victims Unit (1999)
| Cinematography by | Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee | Editing by | Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras | ARRI ALEXA Series Cameras
Lenses | ARRI Lenses, Panavision Lenses
Hart of Dixie (2011)
| Cinematography by | Buzz Feitshans IV, Robert Gantz, Jeffrey Jur, Bradford Lipson, Larry Reibman | Editing by | Jeff Granzow, Brandi Bradburn, Les Butler, Barbara Gerard, Benjamin J. Bumgarner, Luke Pebler
Cameras | Sony CineAlta F35 Camera
Incident in a Ghostland (2018)
Directed by | Pascal Laugier | Cinematography by | Danny Nowak | Editing by | Dev Singh
Cameras | Red Epic Dragon Camera
Lenses | Optica Elite 35 Spherical Lenses
Wonder Woman 1984 (2020)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Richard Pearson
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Supernatural (2005)
| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera
Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses
Art of the Dead (2019)
Directed by | Rolfe Kanefsky | Cinematography by | Michael Su | Editing by | Jay Woelfel
Cameras | Red Epic Helium Camera
Lenses | Tokina Vista Cinema Prime Lenses
Rain Beau’s End (2020)
Directed by | Tracy Wren | Cinematography by | Kevin Otterness
Cameras | Red Epic Dragon Camera
Lenses | Tokina Vista Cinema Prime Lenses
The Wilds (2020)
| Cinematography by | Ed Wild, Rob Marsh, Peter Field | Editing by | Sophie Corra, Steve Edwards, Brad Katz, Susan J. Vinci
Lenses | Tokina Vista Cinema Prime 105mm T1.5, Tokina Vista Cinema Prime 135mm T1.5, Tokina Vista Cinema Prime 18mm T1.5, Tokina Vista Cinema Prime 25mm T1.5, Tokina Vista Cinema Prime 35mm T1.5, Tokina Vista Cinema Prime 50mm T1.5, Tokina Vista Cinema Prime 85mm T1.5
F9 (2021)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto
Lenses | Tokina Vista Cinema Prime Lenses
The Hustle (2019)
Directed by | Chris Addison | Cinematography by | Michael Coulter | Editing by | Anthony Boys
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens
Maniac (2018)
Directed by | Cary Joji Fukunaga | Cinematography by | Darren Lew | Editing by | Pete Beaudreau, Tim Streeto
Cameras | Panavision Millennium DXL Camera
Christine (2016)
Directed by | Antonio Campos | Cinematography by | Joe Anderson | Editing by | Sofía Subercaseaux
Cameras | ARRI ALEXA Camera
Greenland (2020)
Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Gabriel Fleming
Cameras | ARRI ALEXA Mini Camera
Parasite (2019) 
Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang
Cameras | ARRI ALEXA 65 Camera
Ready or Not (2019)
Directed by | Matt Bettinelli-Olpin, Tyler Gillett | Cinematography by | Brett Jutkiewicz | Editing by | Terel Gibson
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke 5/i Lenses
George and George on the Lake (2018)
Directed by | Piotr Malecki | Cinematography by | Piotr Malecki | Editing by | Przemyslaw Chruscielewski, Piotr Malecki
Cameras | Canon EOS-C100 Camera
Lenses | Canon Lenses
Waves (2019)
Directed by | Trey Edward Shults | Cinematography by | Drew Daniels | Editing by | Isaac Hagy, Trey Edward Shults
Cameras | ARRI ALEXA Mini Camera
