Celluloid | 3105 Titles
Até que a Vida nos Separe (2000)
Buffalo ’66 (1998)
Directed by | Vincent Gallo | Cinematography by | Lance Acord | Editing by | Curtiss Clayton
Lenses | Zeiss Super Speed Lenses
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
Get on the Bus (1996)
Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales
Cameras | Aaton XTR Camera, Krasnogorsk-3 Camera
8½ (1963)
Directed by | Federico Fellini | Cinematography by | Gianni Di Venanzo | Editing by | Leo Catozzo
Cameras | ARRIFLEX 35 IIC Camera
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Ordinary People (1980) 
Directed by | Robert Redford | Cinematography by | John Bailey | Editing by | Jeff Kanew
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Victor Victoria (1982)
Directed by | Blake Edwards | Cinematography by | Dick Bush | Editing by | Ralph E. Winters
Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Lenses
Durval Discos (2002)
The Formula (1980)
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | John Carter
Cameras | Panavision Cameras
The Goodbye Girl (1977)
Directed by | Herbert Ross | Cinematography by | David M. Walsh | Editing by | John F. Burnett
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Showgirls (1995)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Mark Helfrich
Cameras | ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera
Predator (1987)
Directed by | John McTiernan | Cinematography by | Donald McAlpine | Editing by | Mark Helfrich, John F. Link
Cameras | ARRIFLEX 35 III Camera, Panavision Cameras
Once Upon a Time… in Hollywood (2019)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Fanny and Alexander (1983)
| Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson
Cameras | ARRIFLEX 35 BL Camera
Twin Peaks (1990)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Lenses | Panavision Lenses
She Wore a Yellow Ribbon (1949)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell BNC Camera
Raw Deal (1986)
Directed by | John Irvin | Cinematography by | Alex Thomson | Editing by | Anne V. Coates
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Cooke Xtal Express Lenses
