Year Released ~ 2013 | 2881 Titles
Tôkyô kazoku (2013)
Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii
Cameras | ARRIFLEX 535 B Camera
La grande bellezza (2013)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Grandmaster (2013)
Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Zulu (2013)
Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet
Cameras | ARRI ALEXA Studio Camera
Des gens qui s’embrassent (2013)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | ARRI ALEXA Plus Camera
Casse-tête chinois (2013)
Le dernier des injustes (2013)
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
La grande boucle (2013)
Directed by | Laurent Tuel | Cinematography by | Gilles Porte | Editing by | Antoine Vareille
Cameras | Red Epic Camera
Bicycling with Molière (2013)
Directed by | Philippe Le Guay | Cinematography by | Jean-Claude Larrieu | Editing by | Monica Coleman
Cameras | Red Epic Camera
Max (2013)
Directed by | Roman Wyden | Cinematography by | Zach Voytas | Editing by | Nik Voytas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Elle s’en va (2013)
Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Möbius (2013)
Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
100% cachemire (2013)
Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont
Cameras | ARRI ALEXA Studio Camera
Les gamins (2013)
Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési
Cameras | ARRI ALEXA Camera
La dune (2013)
Le coeur des hommes 3 (2013)
Directed by | Marc Esposito | Cinematography by | Pascal Caubère | Editing by | Benoît Alavoine
Cameras | ARRI ALEXA Camera
Les invincibles (2013)
Directed by | Frédéric Berthe | Cinematography by | David Quesemand | Editing by | Vanessa Basté, Hugues Darmois, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Belle et Sébastien (2013)
Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses
Au bout du conte (2013)
Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud
Cameras | ARRI ALEXA Plus Camera