2D | 5452 Titles
Fateless (2005)
Directed by | Lajos Koltai | Cinematography by | Gyula Pados | Editing by | Hajnal Sellõ
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Land of the Lost (2009)
Directed by | Brad Silberling | Cinematography by | Dion Beebe | Editing by | Peter Teschner
Cameras | Panavision Cameras
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
The Baader Meinhof Complex (2008)
Caroline and Jackie (2012)
Directed by | Adam Christian Clark | Cinematography by | Christian Swegal | Editing by | Adam Christian Clark, Lisa Hendricks
Cameras | Red One MX Camera
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
21 (2008)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Elliot Graham
Cameras | Pan-Arri 435 Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Angela’s Ashes (1999)
Directed by | Alan Parker | Cinematography by | Chris Connier, Michael Seresin | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Baby Mama (2008)
Directed by | Michael McCullers | Cinematography by | Daryn Okada | Editing by | Bruce Green, Debra Neil-Fisher
Cameras | Panavision Cameras
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Scream (1996)
Directed by | Wes Craven | Cinematography by | Mark Irwin | Editing by | Patrick Lussier
Cameras | Moviecam Compact Camera
Lenses | Clairmont Anamorphic Lenses
Spy Game (2001)
Directed by | Tony Scott | Cinematography by | Dan Mindel | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dark Water (2005)
Directed by | Walter Salles | Cinematography by | Affonso Beato | Editing by | Daniel Rezende
Lenses | Panavision Primo Anamorphic Lenses
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
Into the Wild (2007)
Directed by | Sean Penn | Cinematography by | Eric Gautier | Editing by | Jay Cassidy
Lenses | Canon Lenses, Zeiss Ultra Prime Lenses
Cyprien (2009)
Directed by | David Charhon | Cinematography by | Antoine Roch | Editing by | Sophie Reine
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Parrot (2012)
Directed by | Craig D. Foster | Cinematography by | Joel Froome | Editing by | Emma McKenna
Cameras | ARRI ALEXA Camera
Bare Bea (2004)
Directed by | Petter Næss | Cinematography by | Marius Johansen Hansen | Editing by | Jon Endre Mørk
Cameras | Sony HDW-F900 Camera
Killers (2010)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Richard Francis-Bruce, Mary Jo Markey
Cameras | ARRIFLEX D-21 Camera
Lenses | Hawk V-Series Lenses
