San Francisco | 37 Titles
Desperate Measures (1998)
Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy
Cameras | Panavision Panaflex Platinum Camera
Dawn of the Planet of the Apes (2014)
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA M Camera
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Inner City Snow (2009)
Directed by | Bryan Martin | Cinematography by | Chris Leplus, Victor Lou | Editing by | Bryan Martin
Cameras | Arritechno 35 Camera, Éclair EX16 Camera
Lenses | Canon Lenses
Basic Instinct (1992)
Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Directed by | Errol Morris | Cinematography by | Robert Chappell, Peter Donahue | Editing by | Doug Abel, Chyld King, Karen Schmeer
Cameras | Sony HDW-F900 Camera
Bullitt (1968)
Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
5 Star Day (2010)
Directed by | Danny Buday | Cinematography by | Jason Oldak | Editing by | Curtis Pierce
Cameras | Moviecam Compact Camera
High Anxiety (1977)
Directed by | Mel Brooks | Cinematography by | Paul Lohmann | Editing by | John C. Howard
Cameras | Panavision Cameras
Lenses | Panavision Lenses
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Catch Me If You Can (2002)
My Name Is Khan (2010)
The Kite Runner (2007)
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
Bicentennial Man (1999)
Directed by | Chris Columbus | Cinematography by | Phil Meheux | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Gold II Camera
