North America | 1782 Titles
Cleopatra (1963)
Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
Doctor Zhivago (1965)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Skippy (1931)
A Letter to Three Wives (1949)
Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.
The Treasure of the Sierra Madre (1948)
Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks
Cameras | Mitchell Cameras
Sunrise (1927)
Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster
Cameras | Mitchell Standard Camera
Slender Man (2018)
Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York
Cameras | Sony PMW-F55 Camera, Sony α7S II Camera
Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses
The Quiet Man (1952)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell Cameras
Ocean’s Eight (2018)
Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
A Place in the Sun (1951)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck
Midsommar (2019)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston
Cameras | Panavision Millennium DXL2 Camera
Lenses | Panavision Primo Artiste Lenses
The Grapes of Wrath (1940)
Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson
Cameras | Mitchell Cameras
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
Extremely Wicked, Shockingly Evil and Vile (2019)
Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer
Cameras | ARRI ALEXA Mini Camera
Hustlers (2019)
Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter
Cameras | Panavision Millennium DXL2 Camera
Us (2019)
As the Dust Settles: A Participatory Documentary Shot at Burning Man (2013)
Directed by | Jamie Dee, Roger Ingraham, Jeremy Lubman, Katheryn Mcgaffigan, Tarynn Wiehahn | Cinematography by | Clayton H. Haskell, Stephen Martel Lucas | Editing by | Mike Hedge
Cameras | Red Digital Cinema Cameras
The Black Swan (1942)
Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean
Cameras | Technicolor Cameras
Giant (1956)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence
Cameras | Mitchell BNC Camera
The Birth of a Nation (1915)
Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh
Cameras | Pathé Cameras
