Americas | 1901 Titles
Glen Campbell: I’ll Be Me (2014)
Beyond the Lights (2014)
Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA M Camera
Relatos salvajes (2014)
Directed by | Damián Szifron | Cinematography by | Javier Julia | Editing by | Pablo Barbieri Carrera, Damián Szifron
Finding Vivian Maier (2013)
Directed by | John Maloof, Charlie Siskel | Cinematography by | John Maloof | Editing by | Aaron Wickenden
Cameras | Canon EOS Rebel T2i Camera
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Tusk (2014)
Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith
Cameras | ARRI ALEXA Camera, Red Epic Camera
Good Kill (2014)
I Origins (2014)
Directed by | Mike Cahill | Cinematography by | Markus Förderer | Editing by | Mike Cahill
Cameras | Red Epic Camera
Dumb and Dumber To (2014)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch
Cameras | ARRI ALEXA Camera
Paddington (2014)
Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson
Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses
Chasing Ice (2012)
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
The Gambler (2014)
Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA XT Camera
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Interview (2014)
Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker, Evan Henke
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Warrior (2011)
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Wild (2014)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA XT Camera
Top Five (2014)
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
