Motion Picture | 11129 Titles
For Your Consideration (2006)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera
The Paperboy (2012)
Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz
Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Stay (2005)
Directed by | David Brind | Cinematography by | Kenneth Wilson II
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses
Superhero Me (2013)
Directed by | David Bradburn | Cinematography by | Caleb Burdeau | Editing by | David Bradburn, Caleb Burdeau
Cameras | Panasonic Lumix DMC-GH2 Camera
Lenses | Fujinon Lenses
Stoker (2013)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera
21 & Over (2013)
Directed by | Jon Lucas, Scott Moore | Cinematography by | Terry Stacey | Editing by | John Refoua
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The Last Exorcism Part II (2013)
Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly
Cameras | ARRI ALEXA Camera
Bless Me, Ultima (2013)
Directed by | Carl Franklin | Cinematography by | Paula Huidobro | Editing by | Alan Heim, Toby Yates
Lenses | Cooke S4 Lenses
Dark Skies (2013)
Directed by | Scott Stewart | Cinematography by | David Boyd | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Cockneys vs Zombies (2012)
Directed by | Matthias Hoene | Cinematography by | Daniel Bronks | Editing by | Neil Farrell, John Palmer
Cameras | ARRI Cameras
Lenses | Bausch & Lomb Lenses
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
And They’re Off (2011)
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras | Canon Cameras
Reach for Me (2008)
Directed by | LeVar Burton | Cinematography by | Kris Krosskove | Editing by | Avril Beukes
Cameras | Dalsa Cameras
Lenses | Panavision Lenses
Reach Me (2014)
Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen
Cameras | Red Epic Camera
Liquid Bridge (2003)
Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven
Lenses | Cooke Lenses, Zeiss Lenses
Harold & Kumar Go to White Castle (2004)
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Identity Thief (2013)
Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
I Give It a Year (2013)
Directed by | Dan Mazer | Cinematography by | Ben Davis | Editing by | Tony Cranstoun
Cameras | ARRI ALEXA Plus Camera
Warm Bodies (2013)
Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson
Stand Up Guys (2012)
Directed by | Fisher Stevens | Cinematography by | Michael Grady | Editing by | Mark Livolsi
Cameras | Red Epic Camera
