Motion Picture | 11129 Titles
Epic (2013)
Odd Thomas (2013)
Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | David Checel
Cameras | Red Epic Camera
Dead Man Down (2013)
Directed by | Niels Arden Oplev | Cinematography by | Paul Cameron | Editing by | Timothy A. Good, Frédéric Thoraval
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens
Pain & Gain (2013)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron
Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Carrie (2013)
Directed by | Kimberly Peirce | Cinematography by | Steve Yedlin | Editing by | Lee Percy, Nancy Richardson
Cameras | ARRI ALEXA Camera
The Loft (2014)
Directed by | Erik Van Looy | Cinematography by | Nicolas Karakatsanis | Editing by | Eddie Hamilton
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Master Prime Lenses
Phantom (2013)
Directed by | Todd Robinson | Cinematography by | Byron Werner | Editing by | Terel Gibson
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Side Effects (2013)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Upside Down (2012)
Directed by | Juan Solanas | Cinematography by | Pierre Gill | Editing by | Paul Jutras
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Host (2013)
Directed by | Andrew Niccol | Cinematography by | Roberto Schaefer | Editing by | Thomas J. Nordberg
Cameras | ARRI ALEXA Camera
Jack the Giant Slayer (2013)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman
Dawn of the Planet of the Apes (2014)
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA M Camera
Officer Down (2012)
Directed by | Rudi Rose | Cinematography by | John Christian Patterson | Editing by | Rudi Rose
Cameras | Sony PMW-F3 Camera
Plan 9 (2015)
Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner
Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera
Lenses | Zeiss Lenses
Ghost of Goodnight Lane (2014)
Directed by | Alin Bijan | Cinematography by | David Blood | Editing by | Alin Bijan, Jonny Revolt
Cameras | Sony PMW-F3 Camera
Love of Mass Destruction (2015)
Directed by | Berenika Maciejewicz, Jeff Solema | Cinematography by | C. Duke Marsh | Editing by | Charles Rogers, Ron Soha
Cameras | Sony PMW-F3 Camera
The Awakened (2012)
Directed by | Lou Simon, Douglas Villalba | Cinematography by | Douglas Villalba | Editing by | Douglas Villalba
Cameras | Sony PMW-F3 Camera
Bad Parents (2012)
Directed by | Caytha Jentis | Cinematography by | Anthony Savini | Editing by | Verne Mattson
Cameras | Sony PMW-F3 Camera
Where the Trail Ends (2012)
Directed by | Jeremy Grant | Cinematography by | Brad McGregor | Editing by | Andrew Boucher, Jeremy Grant
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
























































