Ian Dodman

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The Batman | ShotOnWhat?

Digital Artist: ILM

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Gods of Egypt | ShotOnWhat?

Look Developer: Iloura

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Lego Movie | ShotOnWhat?

Senior Lighting Artist

The Lego Movie (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Pablo Plaisted, Barry Peterson

Edited by: David Burrows, Chris McKay

Cameras: ARRI ALEXA Series Cameras

Editing System: Final Cut Pro Editing System

I, Frankenstein | ShotOnWhat?

Cg Supervisor / Compositor

I, Frankenstein (2014)

Directed by: Stuart Beattie

Cinematography by: Ross Emery

Edited by: Marcus D'Arcy

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thor: The Dark World | ShotOnWhat?

Compositor: Luma Pictures

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Beautiful Creatures | ShotOnWhat?

Cg Supervisor

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Great Gatsby | ShotOnWhat?

Compositor

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Wolverine | ShotOnWhat?

Digital Effects Supervisor

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

The Sapphires | ShotOnWhat?

Digital Effects Supervisor: Method Studios

The Sapphires (2012)

Directed by: Wayne Blair

Cinematography by: Warwick Thornton

Edited by: Dany Cooper

Storm Surfers 3D | ShotOnWhat?

Visual Effects Supervisor

Storm Surfers 3D (2012)

Directed by: Justin McMillan, Christopher Nelius

Cinematography by: David Maguire

Edited by: Rodrigo Balart

Cameras: Canon EOS 550D Camera, GoPro HD Hero Camera, Panasonic AG-3DA1 Camera, Silicon Imaging SI-2K Camera, Sony PMW-EX3 Camera

Lenses: Fujinon Lenses, Kowa Lenses

Editing System: Avid Editing System

Argo | ShotOnWhat?

CG Supervisor

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Seven Psychopaths | ShotOnWhat?

CG Supervisor

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

A Few Best Men | ShotOnWhat?

Digital Effects Supervisor / On Set Visual Effects Supervisor

A Few Best Men (2011)

Directed by: Stephan Elliott

Cinematography by: Stephen F. Windon

Edited by: Sue Blainey

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Daybreakers | ShotOnWhat?

Digital Artist

Daybreakers (2009)

Directed by: Michael Spierig, Peter Spierig

Cinematography by: Ben Nott

Edited by: Matt Villa

Australia | ShotOnWhat?

Cgi Animator: Postmodern Sydney / Compositor

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

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