Daniel James Cox

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Spider-Man: Into the Spider-Verse | ShotOnWhat?

Visual Effects Art Director: SPI

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

Spider-Man: Homecoming | ShotOnWhat?

Visual Effects Art Director: Sony Pictures Imageworks

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Gods of Egypt | ShotOnWhat?

Concept Illustrator

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Great Gatsby | ShotOnWhat?

3d Visual Effects Art Director

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Wolverine | ShotOnWhat?

Storyboard Artist

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Wolf Creek 2 | ShotOnWhat?

Concept Artist

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

Tomorrow, When the War Began | ShotOnWhat?

Storyboard Artist

Tomorrow, When the War Began (2010)

Directed by: Stuart Beattie

Cinematography by: Ben Nott

Edited by: Marcus D'Arcy

Knowing | ShotOnWhat?

Visual Effects Concept And Matte Artist: Animal Logic

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Australia | ShotOnWhat?

Visual Effects Concept And Matte Artist: Animal Logic

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Matte Painting And Concept Art Team: Weta Digital

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

30 Days of Night | ShotOnWhat?

Digital Matte Artist: Weta Digital

30 Days of Night (2007)

Directed by: David Slade

Cinematography by: Jo Willems

Edited by: Art Jones

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Like Minds | ShotOnWhat?

Matte Painter: Fuel International

Like Minds (2006)

Directed by: Gregory Read

Cinematography by: Nigel Bluck

Edited by: Mark Warner

The Marine | ShotOnWhat?

Digital Matte Artist

The Marine (2006)

Directed by: John Bonito

Cinematography by: David Eggby

Edited by: Dallas Puett

Eragon | ShotOnWhat?

Digital Matte Artist: Weta Digital

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

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