Conrad Dueck

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The Last Stand | ShotOnWhat?

3D Supervisor: Opus VFX

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Tree of Life | ShotOnWhat?

3d Artist: Prime Focus VFX

The Tree of Life (2011)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Visual Effects Artist

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Dragonball: Evolution | ShotOnWhat?

Visual Effects Artist

Dragonball Evolution (2009)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Matt Friedman, Chris G. Willingham

Cg Artist: Prime Focus

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Journey to the Center of the Earth | ShotOnWhat?

Digital Effects Artist: Frantic Films / Lighting And Rendering Artist: Frantic Films

Journey to the Center of the Earth (2008)

Directed by: Eric Brevig

Cinematography by: Chuck Shuman

Edited by: Steven Rosenblum, Paul Martin Smith, Dirk Westervelt

In the Name of the King: A Dungeon Siege Tale | ShotOnWhat?

Lighting And Rendering: Frantic Films

In the Name of the King: A Dungeon Siege Tale (2007)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: David M. Richardson

Across the Universe | ShotOnWhat?

Animator

Across the Universe (2007)

Directed by: Julie Taymor

Cinematography by: Bruno Delbonnel

Edited by: Françoise Bonnot

Cameras: ARRI Cameras, Panavision Cameras

Lenses: Panavision Lenses

Superman Returns | ShotOnWhat?

CGI Supervisor: Frantic Films

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Idlewild | ShotOnWhat?

CGI Supervisor: Frantic Films

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Chumscrubber | ShotOnWhat?

3D Supervisor: Frantic Films

The Chumscrubber (2005)

Directed by: Arie Posin

Cinematography by: Lawrence Sher

Edited by: William S. Scharf, Arthur Schmidt

Cursed | ShotOnWhat?

CGI Supervisor: Frantic Films

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

The Big Empty | ShotOnWhat?

3D Supervisor: Frantic Films

The Big Empty (2005)

Directed by: Lisa Chang, Newton Thomas Sigel

Cinematography by: Newton Thomas Sigel

Edited by: Maureen O'Keefe

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Resident Evil: Apocalypse | ShotOnWhat?

3d Supervisor: Frantic Films

Resident Evil: Apocalypse (2004)

Directed by: Alexander Witt

Cinematography by: Derek Rogers, Christian Sebaldt

Edited by: Eddie Hamilton

Paycheck | ShotOnWhat?

3D Supervisor: Frantic Films

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

X2 | ShotOnWhat?

3D Supervisor: Frantic Films

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

The Italian Job | ShotOnWhat?

3D Supervisor: Frantic Films

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Core | ShotOnWhat?

Animation: Frantic Films / Visual Effects Artist

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Swordfish | ShotOnWhat?

3D Lead/supervisor

Swordfish (2001)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

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