Key Grip: Additonal Photography Los Angeles
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Key Grip: June Lake
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Key Grip: Los Angeles
Sparkle (2012)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA Plus Camera
"b" Camera Operator
Bad Ass (2012)
Directed by: Craig Moss
Cinematography by: John Barr
Edited by: Jim Flynn
Key Grip: Additional Photography
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Key Grip
Somewhere (2010)
Directed by: Sofia Coppola
Cinematography by: Harris Savides
Edited by: Sarah Flack
Key Grip: Additional Photography
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Grip: Second Unit
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Best Boy Grip: Second Unit
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Grip
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Best Boy Grip
A Night at the Roxbury (1998)
Directed by: John Fortenberry
Cinematography by: Francis Kenny
Edited by: Jay Kamen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Best Boy
Winchell (1998)
Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé
Grip
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Best Boy Grip
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Grip: Los Angeles
To Gillian on Her 37th Birthday (1996)
Directed by: Michael Pressman
Cinematography by: Tim Suhrstedt
Edited by: William S. Scharf
Cameras: Panavision Cameras
Best Boy
The Spitfire Grill (1996)
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
Grip
Mad Dog Time (1996)
Directed by: Larry Bishop
Cinematography by: Frank Byers
Edited by: Norman Hollyn
Editing System: Lightworks Editing System
Assistant Chief Lighting Technician
Thinner (1996)
Directed by: Tom Holland
Cinematography by: Kees Van Oostrum
Grip
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Best Boy Grip
The Spy Within (1995)
Directed by: Steve Railsback
Cinematography by: Anghel Decca
Edited by: Roderick Davis
