Digital Matte Painting Supervisor
Spider-Man: Across the Spider-Verse (2023)
Edited by: Mike Andrews
Digital Matte Painting Supervisor
Guillermo del Toro's Pinocchio (2022)
Movie
Cinematography by: Frank Passingham
Cameras: Canon EOS-1D Mark IV Camera
Matte Painter
'Vikings' Revenge (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Matte Painter
Molly's Game (2017)
Directed by: Aaron Sorkin
Cinematography by: Charlotte Bruus Christensen
Matte Painter
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Matte Painter
'Vikings' The Great Army (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Matte Painter
'Vikings' Crossings (2017)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Matte Painter
'Vikings' The Reckoning (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
Matte Painter
'Vikings' On the Eve (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Matte Painter
'Penny Dreadful' Perpetual Night (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Michele Conroy
Matte Painter
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Matte Painter
'Vikings' Kill the Queen (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Matte Painter
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Matte Painter
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Matte Painter
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Matte Painter
'Vikings' The Outsider (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Matte Painter
'Vikings' In the Uncertain Hour Before the Morning (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Matte Painter
'Vikings' Two Journeys (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Matte Painter
'Vikings' All His Angels (2016)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Matte Painter
'Penny Dreadful' The Blessed Dark (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Matte Painter
'Penny Dreadful' Ebb Tide (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Matte Painter
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Matte Painter
'Penny Dreadful' No Beast So Fierce (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Matte Painter
Legends of the Hidden Temple (2016)
Directed by: Joe Menendez
Cinematography by: Tom Harting
Edited by: Damon Fecht
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Matte Painter
'Penny Dreadful' The Day Tennyson Died (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Matte Painter
'Penny Dreadful' Predators Far and Near (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Matte Painter
'Penny Dreadful' Good and Evil Braided Be (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Matte Painter
'Penny Dreadful' A Blade of Grass (2016)
Directed by: Toa Fraser
Cinematography by: Nigel Willoughby
Edited by: Aaron Marshall
Matte Painter
'Penny Dreadful' This World Is Our Hell (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Michele Conroy
Matte Painter
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Matte Painter
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Matte Painter - 9 Episodes, 2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Matte Painter
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Matte Painter - 20 Episodes, 2016-2017
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Matte Painter: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Matte Painter
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Matte Painter
Agent Crush (2008)
Directed by: Sean Robinson
Cinematography by: Peter Field
Edited by: David Freemantle
Cameras: ARRIFLEX 435 Camera
