Location Production Manager
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Executive Producer
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Executive Producer
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Executive Producer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Line Producer
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Line Producer
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Associate Producer
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Associate Producer
Not Without My Daughter (1991)
Directed by: Brian Gilbert
Cinematography by: Peter Hannan
Production Supervisor
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Production Supervisor
The Deceivers (1988)
Directed by: Nicholas Meyer
Cinematography by: Walter Lassally
Edited by: Richard Trevor
Production Supervisor
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Focus Puller: Pre-shot Scenes Of San Francisco , Production Supervisor
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
First Assistant Director
Five Days One Summer (1982)
Directed by: Fred Zinnemann
Cinematography by: Giuseppe Rotunno
Edited by: Stuart Baird
Cameras: Panavision Cameras
First Assistant Director
Clash of the Titans (1981)
Directed by: Desmond Davis
Cinematography by: Ted Moore
Edited by: Timothy Gee
Assistant Director
For Your Eyes Only (1981)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: John Grover
First Assistant Director
The Dogs of War (1980)
Directed by: John Irvin
Cinematography by: Jack Cardiff
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Assistant Director
The Elephant Man (1980)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Anne V. Coates
Assistant Director
The Great Train Robbery (1978)
Directed by: Michael Crichton
Cinematography by: Geoffrey Unsworth
Assistant Director
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Assistant Director
Julia (1977)
Directed by: Fred Zinnemann
Cinematography by: Douglas Slocombe
Cameras: Panavision Cameras
Assistant Director: Second Unit
Where Eagles Dare (1968)
Directed by: Brian G. Hutton
Cinematography by: Arthur Ibbetson
Edited by: John Jympson
Third Assistant Director
Sink the Bismarck! (1960)
Directed by: Lewis Gilbert
Cinematography by: Christopher Challis
Edited by: Peter R. Hunt
