Digital Effects Artist
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Digital Effects Artist
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects
Divorce Invitation (2012)
Directed by: S.V. Krishna Reddy
Cinematography by: Brad Rushing
Cameras: ARRI ALEXA Camera
Digital Compositor
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Compositor: Level 256 / Digital Effects Artist
This Is 40 (2012)
Directed by: Judd Apatow
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA Camera
Digital Compositor
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Compositor: Level 256
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Compositor: Level 256
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Associate Producer, Digital Effects Supervisor
Night of the Living Dead 3D: Re-Animation (2012)
Directed by: Jeff Broadstreet
Cinematography by: Andrew Parke
Compositor: Level 256
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Compositor
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Compositor: Level 256
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Compositor
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Compositor: Level 256
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Digital Artist: Level 256
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Digital Effects Artist
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Compositor
Bottoms Up (2006)
Directed by: Erik MacArthur
Cinematography by: Massimo Zeri
Edited by: Sherwood Jones
Digital Effects Artist
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
