Thomas Gottschalk

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A Cure for Wellness | ShotOnWhat?

B-cam Daily

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Big Game | ShotOnWhat?

Additional B Camera Operator

Big Game (2014)

Directed by: Jalmari Helander

Cinematography by: Mika Orasmaa

Edited by: Iikka Hesse

Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Hawk Anamorphic Lenses

Speed Racer | ShotOnWhat?

First Assistant Camera: "b" Camera, Brothers Unit

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Reader | ShotOnWhat?

Additional Camera Crew

The Reader (2008)

Directed by: Stephen Daldry

Cinematography by: Roger Deakins, Chris Menges

Edited by: Claire Simpson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Defiance | ShotOnWhat?

Additional First Assistant Camera

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Bourne Ultimatum | ShotOnWhat?

First Assistant Camera: Berlin

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Blood and Chocolate | ShotOnWhat?

First Assistant Camera: Second Unit

Blood and Chocolate (2007)

Directed by: Katja von Garnier

Cinematography by: Brendan Galvin

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Perfume: The Story of a Murderer | ShotOnWhat?

Additional Camera Assistant: Munich

Perfume: The Story of a Murderer (2006)

Directed by: Tom Tykwer

Cinematography by: Frank Griebe

Edited by: Alexander Berner

Tristan + Isolde | ShotOnWhat?

First Assistant Camera: "b" Camera, Ireland

Tristan + Isolde (2006)

Directed by: Kevin Reynolds

Cinematography by: Arthur Reinhart

Edited by: Peter Boyle

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Æon Flux | ShotOnWhat?

Assistant Camera: Second Camera

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Bourne Supremacy | ShotOnWhat?

First Assistant Camera: "a" Camera

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Luther | ShotOnWhat?

Focus Puller: Second Unit

Luther (2003)

Directed by: Eric Till

Cinematography by: Robert Fraisse

Edited by: Clive Barrett

Cameras: ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses

Boat Trip | ShotOnWhat?

First Assistant Camera: "a" Camera

Boat Trip (2002)

Directed by: Mort Nathan

Cinematography by: Shawn Maurer

Edited by: John Axness

Enemy at the Gates | ShotOnWhat?

Focus Puller

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

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