Digital Imaging: Modern VideoFilm
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Scanning & Film Recording Artist: Modern Videofilm
Bunraku (2010)
Directed by: Guy Moshe
Cinematography by: Juan Ruiz Anchía
Data Management I/o: Modern Videofilm
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Imaging: Modern Videofilm
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Digital Imaging
Adrift in Manhattan (2007)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: John Foster
Edited by: John Coniglio
Digital Imaging: Modern VideoFilm
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Digital Imaging: Modern VideoFilm
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Scanning And Recording Operator: Cinesite
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Digital Imaging Operator: Cinesite
Kung Pow: Enter the Fist (2002)
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
Digital Imaging Operator: Cinesite
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Digital Film Scanning And Recording
Aizea: City of the Wind (2001)
Directed by: Ione Hernández
Cinematography by: Daniel Aranyó
Edited by: Andrea Zondler
Cameras: ARRIFLEX 16SR2 Camera
Digital Imaging Operator: Cinesite
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Digital Imaging Technician: Cinesite
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Digital Imaging Operator: Cinesite
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Compositor: Optical Illusions
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: Optical Illusions
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Scanning Operator: Cinesite
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Optical Camera Operator: DQI
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Visual Effects Optical Camera Operator: DQI
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Second Assistant Camera: Second Unit
The Great Outdoors (1988)
Directed by: Howard Deutch
Cinematography by: Ric Waite
Camera: Robert Abel And Associates
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Effects Props And Miniatures
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay