Co-producer, Post-production Supervisor
Sorry to Bother You (2018)
Directed by: Boots Riley
Cinematography by: Doug Emmett
Edited by: Terel Gibson
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Post-production Manager: Focus Features
The Boxtrolls (2014)
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Post-production Manager: Focus Features
Dallas Buyers Club (2013)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA Camera
Lenses: ARRI / Zeiss Lenses
Post-production Manager: Focus Features
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Post-production Manager: Focus Features
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Post-production Manager: Focus Features
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Post-production Manager: Focus Features
Hyde Park on Hudson (2012)
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Post-production Manager: Focus Features
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Post-production Manager: Focus Features
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Post-production Manager: Focus Features
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Post-production Supervisor
Meek's Cutoff (2010)
Directed by: Kelly Reichardt
Cinematography by: Christopher Blauvelt
Edited by: Kelly Reichardt
Post Production Manager: Miramax Films
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Post Production Manager: Miramax Films
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Post Production Coordinator: Miramax Films
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Post Production Coordinator: Miramax Films
The Boy in the Striped Pajamas (2008)
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Post Production Coordinator: Miramax Films
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Post Production Coordinator: Miramax Films
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Post Production Coordinator: Miramax Films
The Diving Bell and the Butterfly (2007)
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
Post Production Coordinator: Miramax Films
Nuovomondo (2006)
Directed by: Emanuele Crialese
Cinematography by: Agnès Godard
Edited by: Maryline Monthieux
Post Production Coordinator: Miramax Films
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post Production Coordinator: Miramax Films
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
