Christina Graham

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Visual Effects Executive Producer

RRR (2022)

Movie

Directed by: S.S. Rajamouli

Cinematography by: KK Senthil Kumar

Edited by: A. Sreekar Prasad

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses

Visual Effects Executive Producer

The Last Duel (2021)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Visual Effects Executive Producer

House of Gucci (2021)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

Visual Effects Producer: MPC

The Lion King (2019)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Visual Effects Producer

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

All the Money in the World | ShotOnWhat?

Visual Effects Producer: MPC Film

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

Visual Effects Producer

The Jungle Book (2016)

Motion Picture

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Visual Effects Production Manager

Maleficent (2014)

Motion Picture

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Visual Effects Production Manager / Visual Effects Production: MPC

World War Z (2013)

Motion Picture

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Visual Effects Production Manager

Total Recall (2012)

Motion Picture

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Production Manager

X: First Class (2011)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Visual Effects Coordinator

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Motion Picture

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

Visual Effects Coordinator

Clash of the Titans (2010)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Visual Effects Coordinator

Harry Potter and the Half-Blood Prince (2009)

Motion Picture

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Visual Effects Coordinator

The Chronicles of Narnia: Prince Caspian (2008)

Motion Picture

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

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Christina Graham

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Visual Effects Executive Producer

RRR (2022)

Visual Effects Executive Producer

The Last Duel (2021)

Visual Effects Executive Producer

House of Gucci (2021)

Visual Effects Producer: MPC

The Lion King (2019)

Visual Effects Producer

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Visual Effects Producer: MPC Film

All the Money in the World (2017)

Visual Effects Producer

The Jungle Book (2016)

Visual Effects Production Manager

Maleficent (2014)

Visual Effects Production Manager / Visual Effects Production: MPC

World War Z (2013)

Visual Effects Production Manager

Total Recall (2012)

Visual Effects Production Manager

X: First Class (2011)

Visual Effects Coordinator

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Visual Effects Coordinator

Clash of the Titans (2010)

Visual Effects Coordinator

Harry Potter and the Half-Blood Prince (2009)

Visual Effects Coordinator

The Chronicles of Narnia: Prince Caspian (2008)

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