Anna Schmigalla

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Atomic Blonde | ShotOnWhat?

Payroll Accountant GER

Atomic Blonde (2017)

Directed by: David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Lite Vintage´74 Lens

Jason Bourne | ShotOnWhat?

Assistant Accountant: Germany

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Goal! III | ShotOnWhat?

Production Accountant: Germany

Goal! III (2009)

Direct to Video

Directed by: Andrew Morahan

Cinematography by: George Tiffin

Edited by: Giles Bury

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Speed Racer | ShotOnWhat?

Production Accountant: Germany

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Bourne Ultimatum | ShotOnWhat?

Production Accountant: Germany

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Mission: Impossible III | ShotOnWhat?

Production Accountant: Germany

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Æon Flux | ShotOnWhat?

Key Production Accountant: Germany

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Around the World in 80 Days | ShotOnWhat?

Accountant: Germany

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Bourne Supremacy | ShotOnWhat?

Production Accountant: Germany

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Equilibrium | ShotOnWhat?

Payroll Accountant

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Enemy at the Gates | ShotOnWhat?

Payroll Accountant

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

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