Paul Belenardo

18 Titles

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Vice | ShotOnWhat?

Production Accountant

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Bright | ShotOnWhat?

Production Accountant

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Hail, Caesar! | ShotOnWhat?

Production Accountant

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Her | ShotOnWhat?

Production Accountant

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Lovelace | ShotOnWhat?

Production Accountant

Lovelace (2013)

Directed by: Rob Epstein, Jeffrey Friedman

Cinematography by: Eric Alan Edwards

Edited by: Robert Dalva, Matt Landon

Cameras: ARRIFLEX 416 Camera

Lenses: Canon Lenses, Clairmont Anamorphic Lenses, Zeiss Lenses

The Master | ShotOnWhat?

Production Accountant

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Rampart | ShotOnWhat?

Production Accountant

Rampart (2011)

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Faster | ShotOnWhat?

Production Accountant

Faster (2010)

Directed by: George Tillman Jr.

Cinematography by: Michael Grady

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

G-Force | ShotOnWhat?

Production Accountant

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Crank: High Voltage | ShotOnWhat?

Production Accountant

Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Halloween | ShotOnWhat?

Production Accountant

Halloween (2007)

Directed by: Rob Zombie

Cinematography by: Phil Parmet

Edited by: Glenn Garland

In Good Company | ShotOnWhat?

Accountant

In Good Company (2004)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Myron Kerstein

Anger Management | ShotOnWhat?

Production Accountant

Anger Management (2003)

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

The Master of Disguise | ShotOnWhat?

Production Accountant

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

One Hour Photo | ShotOnWhat?

Production Accountant

One Hour Photo (2002)

Directed by: Mark Romanek

Cinematography by: Jeff Cronenweth

Edited by: Jeffrey Ford

Point of Origin | ShotOnWhat?

Production Accountant

Point of Origin (2002)

Television Movie

Directed by: Newton Thomas Sigel

Cinematography by: Anthony G. Nakonechnyj

Edited by: Cindy Mollo

American History X | ShotOnWhat?

Production Accountant

American History X (1998)

Directed by: Tony Kaye

Cinematography by: Tony Kaye

Edited by: Gerald B. Greenberg, Alan Heim

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Love and a .45 | ShotOnWhat?

Post-production Accountant

Love and a .45 (1994)

Directed by: C.M. Talkington

Cinematography by: Tom Richmond

Edited by: Bob Ducsay

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