David Alessi

11 Titles

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The Color Purple | ShotOnWhat?

Precision Drive Team Captain

The Color Purple (2023)

Directed by: Blitz Bazawule

Cinematography by: Dan Laustsen

Edited by: Jon Poll

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Boy Erased | ShotOnWhat?

Precision Driver

Boy Erased (2018)

Directed by: Joel Edgerton

Cinematography by: Eduard Grau

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses: Zeiss Super Speed Lenses

Den of Thieves | ShotOnWhat?

Precision Driver

Den of Thieves (2018)

Directed by: Christian Gudegast

Cinematography by: Terry Stacey

Edited by: David S. Cox, Joel Cox, Nathan Godley

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

Triple 9 | ShotOnWhat?

Precision Driver / Stunt Driver

Triple 9 (2016)

Directed by: John Hillcoat

Cinematography by: Nicolas Karakatsanis

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Accountant | ShotOnWhat?

Precision Driver

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Sabotage | ShotOnWhat?

Atlanta Police Officer, Precision Driver

Sabotage (2014)

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

Need for Speed | ShotOnWhat?

Precision Driver

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Let's Be Cops | ShotOnWhat?

LAPD Officer, Precision Driver

Let's Be Cops (2014)

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Taken 3 | ShotOnWhat?

Precision Driver

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Prisoners | ShotOnWhat?

Precision Driver

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Dreamer: Inspired by a True Story | ShotOnWhat?

On-set Security

Dreamer: Inspired by a True Story (2005)

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

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