Chargehand Standby Props
The Father (2020)
Directed by: Florian Zeller
Cinematography by: Ben Smithard
Edited by: Yorgos Lamprinos
Cameras: Sony CineAlta VENICE Camera
Dressing Props
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Stand-by Props
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Stand-by Props
Mr. Turner (2014)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Cameras: ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses: Cooke Speed Panchro Lenses
Stand-by Chargehand Prop
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Prop Hand
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Stand-by Chargehand Prop
I Give It a Year (2013)
Directed by: Dan Mazer
Cinematography by: Ben Davis
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Plus Camera
Stand-by Props
Le capital (2012)
Directed by: Costa-Gavras
Cinematography by: Eric Gautier
Cameras: Aaton Penelope Camera
Standby Propman
Hyde Park on Hudson (2012)
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Stand-by Props
Gambit (2012)
Directed by: Michael Hoffman
Cinematography by: Florian Ballhaus
Edited by: Paul Tothill
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Chargehand Property Hand
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Additional Stand-by Props
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Stand-by Props: Dailies
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Additional Props
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Stand-by Props
'Episodes' Episode One (2011)
Directed by: James Griffiths
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Stand-by Props
'Episodes' Episode Two (2011)
Directed by: James Griffiths
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Stand-by Props - 5 Episodes, 2011, Stand-by Props - 6 Episodes, 2011
Episodes (2011)
Cinematography by: Rob Kitzmann
Cameras: ARRI ALEXA Camera
Stand-by Props
'Episodes' Episode Six (2011)
Directed by: James Griffiths
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Stand-by Props
'Episodes' Episode Four (2011)
Directed by: James Griffiths
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Stand-by Props
'Episodes' Episode Five (2011)
Directed by: James Griffiths
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Stand-by Props
'Episodes' Episode Three (2011)
Directed by: James Griffiths
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Stand By Props
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Standby Props
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Stand-by Prop
Chatroom (2010)
Directed by: Hideo Nakata
Cinematography by: Benoît Delhomme
Edited by: Masahiro Hirakubo
Stand-by Props
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Stand-by Props
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Dressing Propman
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Stand-by Props
Blackadder Back & Forth (1999)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
