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Thor: Ragnarok | ShotOnWhat?

Hair Stylist: Idris Elba / Makeup Artist: Idris Elba

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

The Brothers Grimsby | ShotOnWhat?

Hair Supervisor: South Africa

The Brothers Grimsby (2016)

Directed by: Louis Leterrier

Cinematography by: Oliver Wood

Edited by: Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Cameras: ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Mandela: Long Walk to Freedom | ShotOnWhat?

Hair Designer / Makeup Designer

Mandela: Long Walk to Freedom (2013)

Directed by: Justin Chadwick

Cinematography by: Lol Crawley

Edited by: Andrew Cassells, Rick Russell

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dredd | ShotOnWhat?

Hair Designer / Makeup Designer

Dredd (2012)

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

Chronicle | ShotOnWhat?

Hair Department Head

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Machine Gun Preacher | ShotOnWhat?

Hair Designer: South Africa

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

Death Race 2 | ShotOnWhat?

Makeup Department Head

Death Race 2 (2010)

Direct to Video

Directed by: Roel Reiné

Cinematography by: John Mckay, Roel Reiné

Edited by: Radu Ion, Herman P. Koerts

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Invictus | ShotOnWhat?

Hair Department Head

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

10,000 BC | ShotOnWhat?

Department Head Hair Stylist: Crowd / Department Head Makeup Artist: Crowd

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

Les deux mondes | ShotOnWhat?

Key Makeup Artist: South Africa

Les deux mondes (2007)

Directed by: Daniel Cohen

Cinematography by: Laurent Dailland

Edited by: Catherine Kelber

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Fei Ying | ShotOnWhat?

Makeup Artist

Fei Ying (2004)

Directed by: Jingle Ma

Cinematography by: Chi-Ying Chan

In My Country | ShotOnWhat?

Key Hair Stylist / Makeup Department Head

In My Country (2004)

Directed by: John Boorman

Cinematography by: Seamus Deasy

Edited by: Ron Davis

From Dusk Till Dawn 2: Texas Blood Money | ShotOnWhat?

Assistant Makeup Artist

Dusk Till Dawn 2: Texas Blood Money (1999)

Direct to Video

Directed by: Scott Spiegel

Cinematography by: Philip Lee

Edited by: Bob Murawski, Georges Zeter

The Ghost and the Darkness | ShotOnWhat?

Makeup Artist

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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