Color Consultant
'True Detective' The Western Book of the Dead (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Color Consultant
'True Detective' Night Finds You (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Colorist
Son of a Gun (2014)
Directed by: Julius Avery
Cinematography by: Nigel Bluck
Edited by: Jack Hutchings
Cameras: ARRI ALEXA XT Plus Camera
Color Consultant - 2 Episodes, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Digital Intermediate Colorist
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Colorist
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Colorist
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Colorist
Uninhabited (2010)
Directed by: Bill Bennett
Cinematography by: Lachlan Milne
Edited by: Jason Ballantine
Digital Intermediate Colorist
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Digital Intermediate Colorist: EFilm Australia
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Colorist
Disgrace (2008)
Directed by: Steve Jacobs
Cinematography by: Steve Arnold
Edited by: Alexandre de Franceschi
Senior Colorist
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Senior Colorist
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Film Timer
Romulus, My Father (2007)
Directed by: Richard Roxburgh
Cinematography by: Geoffrey Simpson
Edited by: Suresh Ayyar
Digital Colorist
Ten Canoes (2006)
Cinematography by: Ian Jones
Edited by: Tania Nehme
Cameras: ARRIFLEX 35 BL4s Camera
Color Timer
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Film And Digital Color Grader
Jindabyne (2006)
Directed by: Ray Lawrence
Cinematography by: David Williamson
Edited by: Karl Sodersten
Digital Colorist
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Color Grader
Like Minds (2006)
Directed by: Gregory Read
Cinematography by: Nigel Bluck
Edited by: Mark Warner
Film And Digital Color Grader
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Color Grader
Somersault (2004)
Directed by: Cate Shortland
Cinematography by: Robert Humphreys
Edited by: Scott Gray
Color Grader
The Quiet American (2002)
Directed by: Phillip Noyce
Cinematography by: Christopher Doyle
Edited by: John Scott
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Grader
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Laboratory Liaison
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Laboratory Liaison
Lantana (2001)
Directed by: Ray Lawrence
Cinematography by: Mandy Walker
Edited by: Karl Sodersten
Color Timer
Est - Ouest (1999)
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Hervé Schneid
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Color Timer
Asterix and Obelix vs. Caesar (1999)
Directed by: Claude Zidi
Cinematography by: Tony Pierce-Roberts
Cameras: Panavision Cameras
Color Timer
La fille sur le pont (1999)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Color Timer: Film
Breaking the Waves (1996)
Directed by: Lars von Trier
Cinematography by: Robby Müller
Edited by: Anders Refn
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Color Timer
Fallait pas!... (1996)
Directed by: Gérard Jugnot
Cinematography by: Gérard de Battista
Edited by: Catherine Kelber
