Sally Potters

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Ready Player One | ShotOnWhat?

Production Coordinator: Additional Photography

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

The Jungle Book | ShotOnWhat?

Assistant Production Coordinator

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Gambler | ShotOnWhat?

Assistant Production Coordinator

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Inherent Vice | ShotOnWhat?

Assistant Production Coordinator

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Her | ShotOnWhat?

Assistant Production Coordinator

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Lovelace | ShotOnWhat?

Assistant Production Coordinator

Lovelace (2013)

Directed by: Rob Epstein, Jeffrey Friedman

Cinematography by: Eric Alan Edwards

Edited by: Robert Dalva, Matt Landon

Cameras: ARRIFLEX 416 Camera

Lenses: Canon Lenses, Clairmont Anamorphic Lenses, Zeiss Lenses

Wanderlust | ShotOnWhat?

Assistant Production Coordinator: Additional Photography

Wanderlust (2012)

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Assistant Production Coordinator: Los Angeles, Second Unit

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Adventures of Tintin | ShotOnWhat?

Assistant Production Coordinator

The Adventures of Tintin (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Judy Moody and the Not Bummer Summer | ShotOnWhat?

Assistant Production Coordinator

Judy Moody and the Not Bummer Summer (2011)

Directed by: John Schultz

Cinematography by: Shawn Maurer

Edited by: John Pace

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Burlesque | ShotOnWhat?

Assistant Production Coordinator

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

G-Force | ShotOnWhat?

Production Secretary

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

What Just Happened | ShotOnWhat?

Production Secretary

What Just Happened (2008)

Directed by: Barry Levinson

Cinematography by: Stéphane Fontaine

Edited by: Hank Corwin

Meet Dave | ShotOnWhat?

Production Secretary

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

The Game Plan | ShotOnWhat?

Production Secretary: Los Angeles

The Game Plan (2007)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

Shooter | ShotOnWhat?

Production Secretary: Additional Photography

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rendition | ShotOnWhat?

Production Secretary: Los Angeles

Rendition (2007)

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Must Love Dogs | ShotOnWhat?

Production Assistant: Re-shoots

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

Serenity | ShotOnWhat?

Office Production Assistant

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

A Cinderella Story | ShotOnWhat?

Production Assistant

A Cinderella Story (2004)

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

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