Meg Everist

25 Titles

Is this you? Add a Profile

Only the Brave | ShotOnWhat?

Set Decorator

Only the Brave (2017)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

Roman J. Israel, Esq. | ShotOnWhat?

Set Decorator

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Don't Breathe | ShotOnWhat?

Set Dressing Consultant

Don't Breathe (2016)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Eric L. Beason, Louise Ford, Gardner Gould

Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Nightcrawler | ShotOnWhat?

Set Decorator

Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

The November Man | ShotOnWhat?

Set Decorator

The November Man (2014)

Directed by: Roger Donaldson

Cinematography by: Romain Lacourbas

Edited by: John Gilbert

Cameras: ARRI ALEXA Plus Camera

Lenses: Hawk V-Lite Vintage´74 Lens

Gangster Squad | ShotOnWhat?

Set Decorator: Second Unit/additional Photography

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

John Carter | ShotOnWhat?

Set Decorator: Additional Photography, Los Angeles

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Casa de mi Padre | ShotOnWhat?

Set Decorator

Casa de mi Padre (2012)

Directed by: Matt Piedmont

Cinematography by: Ramsey Nickell

Edited by: David Trachtenberg

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Cinema Verite | ShotOnWhat?

Set Decorator

Cinema Verite (2011)

Television Movie

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Affonso Beato

Edited by: Sarah Flack, Robert Pulcini

Love & Other Drugs | ShotOnWhat?

Set Decorator

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Whip It | ShotOnWhat?

Set Decorator

Whip It (2009)

Directed by: Drew Barrymore

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Lovely Bones | ShotOnWhat?

Set Decorator

The Lovely Bones (2009)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Jane Austen Book Club | ShotOnWhat?

Set Decorator

The Jane Austen Book Club (2007)

Directed by: Robin Swicord

Cinematography by: John Toon

Edited by: Maryann Brandon

The Lake House | ShotOnWhat?

Set Decorator

The Lake House (2006)

Directed by: Alejandro Agresti

Cinematography by: Alar Kivilo

Edited by: Alejandro Brodersohn, Lynzee Klingman

Black Snake Moan | ShotOnWhat?

Set Decorator

Black Snake Moan (2006)

Directed by: Craig Brewer

Cinematography by: Amy Vincent

Edited by: Billy Fox

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Final Cut Pro Editing System

We Are Marshall | ShotOnWhat?

Set Decorator

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

A Lot Like Love | ShotOnWhat?

Set Decorator

A Lot Like Love (2005)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Susan Littenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Ray | ShotOnWhat?

Assistant Set Decorator

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

21 Grams | ShotOnWhat?

Set Decorator

21 Grams (2003)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Blue Crush | ShotOnWhat?

Set Decorator

Blue Crush (2002)

Directed by: John Stockwell

Cinematography by: David Hennings

Edited by: Emma E. Hickox

Vanilla Sky | ShotOnWhat?

Buyer

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Just Visiting | ShotOnWhat?

Shopper

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Novocaine | ShotOnWhat?

Buyer

Novocaine (2001)

Directed by: David Atkins

Cinematography by: Vilko Filac

Edited by: Melody London

Mercury Rising | ShotOnWhat?

Buyer: Chicago

Mercury Rising (1998)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

A Thousand Acres | ShotOnWhat?

Buyer: Rochelle

A Thousand Acres (1997)

Directed by: Jocelyn Moorhouse

Cinematography by: Tak Fujimoto

Edited by: Maryann Brandon

©2012 - 2024 ShotOnWhat?

20254.20