Set Costumer
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Set Costumer
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Set Costumer
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Set Costumer
'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Set Costumer
'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Truck Costumer
'13 Reasons Why' The Missing Page (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Truck Costumer
'13 Reasons Why' Smile, Bitches (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Truck Costumer
'13 Reasons Why' The Box of Polaroids (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Truck Costumer
'13 Reasons Why' Bryce and Chloe (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Truck Costumer
'13 Reasons Why' Bye (2018)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Set Costumer
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Set Costumer
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Set Costumer
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Set Costumer / Truck Costumer - 13 Episodes, 2018
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Set Costumer
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
On-set Costumer: Mendocino/San Francisco
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Costumer: San Francisco
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Costumer: San Francisco
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Set Costumer: San Francisco
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Costumer: Palo Alto
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Key Set Costumer: Women's
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Key Costumer
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Costumer
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Set Costumer
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Costume Maker
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Costumer
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Wardrobe Supervisor
Valley of the Heart's Delight (2006)
Directed by: Tim Boxell
Cinematography by: Hiro Narita
Edited by: Jay Boekelheide
Cameras: Sony HDW-F900 Camera
Costumer: Alameda
Rescue Dawn (2006)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Set Costumer
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Set Costumer
Copycat (1995)
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
