Grant Armstrong

18 Titles

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The Batman | ShotOnWhat?

Supervising Art Director

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Overlord | ShotOnWhat?

Supervising Art Director

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Supervising Art Director

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Criminal | ShotOnWhat?

Supervising Art Director

Criminal (2016)

Directed by: Ariel Vromen

Cinematography by: Dana Gonzales

Edited by: Danny Rafic

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Danish Girl | ShotOnWhat?

Supervising Art Director

The Danish Girl (2015)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Melanie Oliver

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Gravity | ShotOnWhat?

Stand-by Art Director

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Les Misérables | ShotOnWhat?

Supervising Art Director

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

X: First Class | ShotOnWhat?

Art Director

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kick-Ass | ShotOnWhat?

On-set Art Director

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Made in Dagenham | ShotOnWhat?

Art Director: Wales

Made in Dagenham (2010)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Michael Parker

The Edge of Love | ShotOnWhat?

Art Director

The Edge of Love (2008)

Directed by: John Maybury

Cinematography by: Jonathan Freeman

Edited by: Emma E. Hickox

The Bourne Ultimatum | ShotOnWhat?

Stand-by Art Director

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Notes on a Scandal | ShotOnWhat?

Stand-by Art Director

Notes on a Scandal (2006)

Directed by: Richard Eyre

Cinematography by: Chris Menges

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Miss Potter | ShotOnWhat?

Art Director

Miss Potter (2006)

Directed by: Chris Noonan

Cinematography by: Andrew Dunn

Edited by: Robin Sales

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Proof | ShotOnWhat?

Stand-by Art Director

Proof (2005)

Directed by: John Madden

Cinematography by: Alwin H. Küchler

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Editing System: Lightworks Editing System

Calendar Girls | ShotOnWhat?

Stand-by Art Director

Calendar Girls (2003)

Directed by: Nigel Cole

Cinematography by: Ashley Rowe

Edited by: Michael Parker

Formula 51 | ShotOnWhat?

Art Director

Formula 51 (2001)

Directed by: Ronny Yu

Cinematography by: Hang-Sang Poon

Edited by: David Wu

Cameras: Moviecam Cameras

G:MT Greenwich Mean Time | ShotOnWhat?

Stand-by Art Director

G:MT Greenwich Mean Time (1999)

Directed by: John Strickland

Cinematography by: Alan Almond

Edited by: Patrick Moore

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